Primary-source writings and related research materials by and about Nureki Chimuo.
This archive brings together primary-source writings by and about Nureki Chimuo preserved through the Kinbaku Research Platform. Translations retain their original translator and editor credits.
220 writings · 4 sources
Archive writings
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“The Feel of Water” Shooting Notes
I’ve been talking frequently with Director Nakahara Rutsu about the bondage photo book produced by Tomoshibi. Before writing the script for “The Feel of Water,” I’ll meet again with Hiromi, to discuss her relationship with the loan shark Tamaru and their respective psychological states. “...Let’s av…
Read translationAll About Water Torture
I received a reply via fax from photographer Sachi Yamanouchi, who had read my previous “Talking Theater” piece. I’m delighted by how quickly she responded. It goes without saying that Sachi Yamanouchi is one of the key members of our Tomoshibi group. She has also kindly offered her own home as a lo…
Read translationThe Highest Praise
Well, how should I put this? Ever since I wrote that post about “All About Water Torture” last time, I’ve been swamped with all sorts of weird and chaotic work, so I still haven’t gotten around to actually doing the water torture I was planning. Even though the script has been ready for ages, I just…
Read translationWhile Eating Glass Noodle Ramen
I met with Director Nakahara Rutsu at a certain location, and we discussed the bondage photo shoot for Tomoshibi. The conversation turned to my script for “The Feel of Water,” which is scheduled to be the third photo book in the Tomoshibi series. (Since none of the members have had the time, “The Fe…
Read translationTwo Weeks Before Shooting “The Feel of Water”
As I mentioned briefly last time, I have to perform on a different stage twice this month. We’ve been rehearsing for them almost every day. I don’t really like to use the word “busy,” but basically, I’m swamped, and right now I just don’t have enough time. So, I asked Director Nakahara Rutsu and pho…
Read translation“Kuzunoha”: A Tale of Delusion
As I briefly mentioned at the beginning of my last post, Director Nakahara, photographer Yamanouchi and I sat side by side to watch the dance performance “Harakiri Kuzunoha,” performed solo by Hiromi Saotome. It was an interesting adaptation of the classic kabuki play “Ashiya Doman Ouchi Kagami,” re…
Read translationIs it “Shinoda (信太)-Kitsune” or “Shinoda (信田)-Kitsune?”
As always, I write the script for this “Talking Theater” by hand, penning every single character myself, and then R-san types it up on a word processor and carefully posts it on the website. From the very first installment to this 183rd one, she has continued to type it up faithfully and tirelessly.…
Read translation“The Feel of Water” Filming Complete
If I write that I’m “so busy, so busy,” people might think, “Hmph, pretending to be busy in this recession? What a snarky guy.” But everyone at Tomoshibi really was incredibly busy. Even though we were busy, it’s not like we were making any money from it. We hardly ever do any work that actually pay…
Read translation“The Feel of Water” Self-Praise
Whether it was during the filming of “The Sunset Room,” “The Horsetail Garden,” or this latest project, “The Feel of Water,” photographer Sachi Yamanouchi did not use any artificial lighting at all. It was all natural light. Without a word, she calmly and objectively captured the movements of Hiromi…
Read translation“Seven Samurai” and Tsuzuki-san’s Talk Show
To my Acchitei Master, I would like to give you an update on how things are going. Yesterday, I went to Yurakucho to see “Seven Samurai.” I was accompanied by Director Nakahara. She has been so kind to me, and I’ve long felt that taking her to see “Seven Samurai,” a film she hadn’t seen yet, would b…
Read translationIn the End, Storytelling Comes Down to One’s Character
Since I had watched “Seven Samurai” all the way to the end before rushing to the venue, the talk event for Tsuzuki-san’s photo exhibition in Ebisu had already been underway for about fifteen minutes. When I pushed open the stylish stained glass door and stepped inside, I saw what appeared to be a gr…
Read translation“Sun in the Last Days of the Shogunate” and Conger Eel Bowl
I went to see the Nikkatsu film “Sun in the Last Days of the Shogunate.” As usual, Director Nakahara accompanied me. It hasn’t even been a week since I saw “Seven Samurai.” I’m trying my best to convey the knowledge I currently possess, however limited it may be, to Director Nakahara. I consider thi…
Read translationFun Ways to Stroke a Butt
When I wrap both arms around Rakka-san’s hips from behind as she sits on the small chair in front of me, the firm, supple sensation becomes mine alone. When I caress that butt, tightly encased in the thin fabric, with all my heart, it feels so good that I find myself lost in ecstasy. The seat she’s …
Read translationI Saw Something Amazing
I saw something amazing. Even if you say something is amazing, there are many different kinds of amazing, and unless you explain exactly what it is, you wouldn’t know what’s so amazing just from being told that out of the blue, would you? So, I’m going to try to explain it now, but I’m not sure wher…
Read translationA Theater Troupe that Loves Seppuku
The role of Yataro of Shimkita, the protagonist of this play and one that the troupe leader is traditionally supposed to play, is entrusted to a young, handsome actor as a combination of a birthday celebration and a show of encouragement, simply because the performance happens to fall on his birthda…
Read translation“The Sunset Room” A Photobook of Boundless Abundance
In the March 2012 issue of “Mania Club,” Director Nakahara explains in simple, easy to understand language the rationale behind publishing this photo book, “The Sunset Room.” Among her remarks is the line “I want to create something with all my heart.” In fact, even if we were to state this purpose …
Read translationNureki Chimuo’s Rope Research Society
I was asked by “Black Heart” in Ginza, Tokyo, to host an event called “Nureki Chimuo’s Rope Research Society.” I can’t say I don’t have some reservations about taking on this kind of thing at my age… but the truth is, it was decided because Hiromi Saotome put in a good word for me. Once Saotome gets…
Read translation“Oiwake-bushi,” Sung by Tokijiro
To my acchitei master. Thank you very much for inviting me to Master Kikaku’s gathering. I heard that my acchitei Master and Miss M-ko will also be appearing as guest performers, so I thought I absolutely had to attend. But when I checked my calendar, I realized that this day happens to be the month…
Read translationThe Beauty of “The Right Half of Tokyo”
Ms. N. M. Thank you very much for the gift copy of “The Right Half of Tokyo” (by Kyoichi Tsuzuki). It’s a substantial book, heavy in the hand, printed on high-quality art paper, and 575 pages long (list price: 6000 yen). Not only is it physically weighty, but the gentle breath of the people living t…
Read translationA Reply to Kana-san
To Kana-san, who sent me an email. Thank you very much. It was a wonderful letter. I’ll try to explain what I liked about it below. Thanks to having worked in this unique field for so long, I receive letters from many women, in various forms and on a wide range of topics. Each one is a heartfelt, si…
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