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Kinbaku Today Kinbaku Today
Kinbaku Today
  • Articles
    • News
    • Opinion
    • History
    • Translations
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      • Videos
      • Books
  • Interviews
  • Galleries
    • Ukiyo-e Art
  • How To
  • About
    • Newsletter
    • Editorial
      • Book Review Guidelines
      • Contributor Guidelines
  • Magazine Archive
    • Article Translations
    • Book Archive
    • Japanese SM Magazine Archive
      • Japanese SM Magazine Archive Search
      • Latest Archive Additions
    • Nureki Chimuo Archive
    • Search Archive by Author
    • Theme Analysis
  • KInbaku Guide
    • Venues
      • Suggest a Kinbaku Venue
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      • Submit an Event
Home Authors Posts by Kinbaku Today

Kinbaku Today

Kinbaku Today
155 POSTS 4 COMMENTS
Kinbaku Today publishes articles, news, and information about events in the world of Japanese erotic rope bondage.

Gallery: Bakushi’s Den 2: Hajime Kinoko

Kinbaku Today - August 21, 2015 0

Nikkatsu’s Mystery Bakushi

Kinbaku Today - August 1, 2015 0

Model Spotlight: Kawakami Yuu (川上ゆう)

Kinbaku Today - July 23, 2015 0

Gallery: Akechi Denki’s Naoko Hayashiba Photos

Kinbaku Today - July 21, 2015 0

Evie Vane’s “Little Guide to Getting Tied Up” now in Japanese!

Kinbaku Today - July 19, 2015 0
Akira Naka in Los Angeles Kinbaku Today 35

Akira Naka and Iroha Shizuki in Baltimore, MD, October 9-10, 2015

Kinbaku Today - July 8, 2015 0

The London Festival of Rope Art, Sept. 25-27, 2015

Kinbaku Today - June 28, 2015 0

Ozuma: Phantom Mirror (1976)

Kinbaku Today - June 12, 2015 0

Video: Bakushi’s Den 2 (Hajime Kinoko)

Kinbaku Today - June 9, 2015 0

Kunisada, “Beating a Courtesan with a Cherry Branch” (1861)

Kinbaku Today - June 7, 2015 0

Yoshimura Shoichi (1952-2015), Cinemagic Founder and President

Kinbaku Today - May 29, 2015 0

Juan Maeda: from “Original Illustrations”

Kinbaku Today - May 19, 2015 0
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Kinbaku Today
Kinbaku Today is an independent online journal dedicated to the study, practice, and cultural history of Japanese rope bondage. Blending essays, translations, interviews, and archival research, it explores kinbaku not simply as technique, but as a living dialogue between history, performance, and human connection.
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