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Nureki Chimuo Archive

Primary-source writings and related research materials by and about Nureki Chimuo.

This archive brings together primary-source writings by and about Nureki Chimuo preserved through the Kinbaku Research Platform. Translations retain their original translator and editor credits.

220 writings · 4 sources

Archive writings

220 results

Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-06-18 00:00:00 · PDF 294 –299

Cowards

臆病な人たち
Nureki Chimuo (author)

While explaining the content of Yusuke Aoyagi’s graphic novel “Camouflage,” the conversation somehow turned to my photography work. So, this time, I’ll return to the original topic and continue writing about “Camouflage.” As before, I’ll skip the finer details in my explanation. While the author’s u…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-06-24 00:00:00 · PDF 300 –306

Don’t Look at Me

こっちを見ないでくれ
Nureki Chimuo (author)

Dear R-san, I’ve just finished writing “Pleasure Peak,” and I’m feeling unusually hyped. I poured my heart and soul into writing this novel. It’d be a shame to dampen this excitement (though I admit that’s a bit stingy of me). So, I’ll keep writing “Talking Theater” without a break. Thank you for st…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-04 00:00:00 · PDF 307 –314

At a Bar in Katsushika

葛飾の飲み屋で
Nureki Chimuo (author)

I met Sayo Uzuki again on the set. “We keep running into each other. Guess your acting skills are finally getting recognized lately.” As soon as I saw Uzuki’s face, I teased her instead of greeting her. “It’s not about my skills. I’m just being conveniently used because I’m an old woman nearing fift…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-05 00:00:00 · PDF 315 –320

Tourism Companies and Indigenous Peoples

観光会社と原住民
Nureki Chimuo (author)

Over a decade ago, during a shoot for a certain production company, I once borrowed the home of Uzuki Sayo, which was located in Suginami at the time. The director wanted to shoot an SM drama using a real kitchen as the backdrop instead of a set, so he rented Uzuki’s house for an entire day. It was …

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-07 00:00:00 · PDF 321 –328

Letter from Katsuya Kasai-san

枷井克哉氏の手紙
Nureki Chimuo (author)

2008.7.7 濡木痴夢男のおしゃべり芝居 第四十五回 Nureki Chimuo’s Talking Theater Chapter 45 枷井克哉氏の手紙 Letter from Katsua Kasai-san The sixth volume from Kawade Bunko, “Bondage: As Long as I Live,” was actually the first completed book I looked through, and I thought, “This isn’t very good.” I haven’t been able to fully …

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-09 00:00:00 · PDF 329 –334

The Truth of Once-in-a-Lifetime Encounters

一期一会の真実
Nureki Chimuo (author)

My new book was published about two months ago, but only now are the reviews from readers starting to come in, one after another. This is essentially proof that you read it all the way through. Those who gave up halfway through are unlikely to send any feedback after reading. Either way, it’s a bles…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-14 00:00:00 · PDF 335 –339

It’s Not About a Sex Life

性生活ではありません
Nureki Chimuo (author)

2008.7.14 濡木痴夢男のおしゃべり芝居 第四十七回 Nureki Chimuo’s Talking Theater Chapter 47 性生活ではありません It’s not about a sex-life This time, we’ll share another letter from someone who read “Bondage: As Long as I Live.” Unusually, it’s from a woman. Looking at the response to my five paperback books published by Kawade…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-16 00:00:00 · PDF 340 –346

Praise for the Commentary

「解説」への賛辞
Nureki Chimuo (author)

We’ve received various impressions and reactions to “Bondage: As Long as I Live.” It’s truly gratifying to receive such a positive response. Thank you very much. It’s lonely when someone doesn’t say anything or ignores you. I’d like to thank everyone who sent me something, but given the nature of th…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-07-28 00:00:00 · PDF 347 –356

The Difference Between Having a Rope and Not Having a Rope

縄ナシ、縄アリの差
Nureki Chimuo (author)

2008.7.28 濡木痴夢男のおしゃべり芝居 第四十九回 Nureki Chimuo’s Talking Theater Chapter 49 縄ナシ、縄アリの差 The difference between having a rope and not having a rope I am meeting with Masako Inoue in Company C’s reception room Masako Inoue is said to have an entire body that is a sex zone. Generally speaking, you could say…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-08-04 00:00:00 · PDF 357 –362

The World of Rope Play

縄遊びの世界
Nureki Chimuo (author)

After reading my previous piece, “The difference between with rope and without rope,” Mika Suzume-san promptly sent me her thoughts. (I’m truly grateful. I’m always thankful.) After reading Mika Suzume-san’s letter, I thought to myself, “Ah, I see! That’s what it means!” This is the story of how my …

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-08-12 00:00:00 · PDF 363 –367

That “Something” in the Model’s Heart

モデルの心にある「何か」
Nureki Chimuo (author)

2008.8.12 濡木痴夢男のおしゃべり芝居 第五十一回 Nureki Chimuo’s Talking Theater Chapter 51 モデルの心にある「何か」 That “something” in the model’s heart I was commissioned by a certain magazine to write a short piece titled “The Unforgettable Models of Nureki Chimuo.” The allotted space was two pages. I carelessly wrote “two pa…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-09-01 00:00:00 · PDF 368 –378

At ZOU’s Filming Location

ZOU氏の撮影現場で
Nureki Chimuo (author)

2008.9.1 濡木痴夢男のおしゃべり芝居 第五十二回 Nureki Chimuo’s Talking Theater Chapter 52 ZOU氏の撮影現場で At ZOU’s filming location I worked with Muruzou for the first time in a while. It was a video shoot. According to an email I received from him later, it had been over twenty years since we last worked together. We had…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-09-05 00:00:00 · PDF 379 –390

Thank You, ZOU-san!

ZOU氏よ、ありがとう!
Nureki Chimuo (author)

2008.9.5 濡木痴夢男のおしゃべり芝居 第五十三回 Nureki Chimou’s Talking Theater Chapter 53 ZOU氏よ、ありがとう! Thank you, Zou-san! Good bondage photos are taken from good angles. So, if you want to resonate with enthusiasts, you must position the camera well, find the right angle, and press the shutter at the perfect moment.…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-09-09 00:00:00 · PDF 391 –397

Why I Dislike Workwear

私が作務衣を嫌うわけ
Nureki Chimuo (author)

I received a very kind letter from a person named Maruki-san regarding my new DVD work titled “Dream Rope,” in which I appear on screen. I am deeply grateful and moved. I offer my heartfelt thanks and will now respond. Before that, Mika Suzume-san also sent me a precious letter that means a great de…

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Nureki Chimuo’s Talking Theater, Vol. 1 · 2008-03-24 00:00:00 · PDF 237 –239

Correspondence Between Mika Suzume and Nureki Chimuo

Mika Suzume (correspondent) · Nureki Chimuo (correspondent)

Below are comments received from Mika Suzume-san regarding “Talking Theater Chapter 33” Though 13-year-old Koume is still a child, the daughter of traveling performers is no amateur. She’s a pro, you see. It might be a way of raising children that would cause serious problems in this day and age, bu…

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Nureki Chimuo’s Talking Theater, Vol. 1 · PDF 398 –399

Eratta

Jeff Tatum (DarkAngelAscends) (creator)

The following was transcribed from a link in the blog that linked the homepage of the Sex Industry Museum. I translated the page for non-Japanese readers. The original link: http://pl-fs.kir.jp/pc/index.html About a three-minute walk up Kagurazaka from JR Iidabashi Station lies the members-only libr…

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Nureki Chimuo’s Talking Theater, Vol. 2 · 2008-09-20 00:00:00 · PDF 4 –13

Reunion with Hide Ishitani, and then…

石谷秀との再会、そして……
Nureki Chimuo (author)

I met Hide Ishitani again. This young, beautiful married woman is described in detail in issues 40 through 45 of the “Nureki Kinbaku Diary” series in SM Sniper. The titles at that time were “The Beauty of Married Woman Hide Ishitani” and “Hide Ishitani’s Top-Secret Footage.” This text was later comp…

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Nureki Chimuo’s Talking Theater, Vol. 2 · 2008-09-22 00:00:00 · PDF 14 –21

Subtle Lighting is What Makes It Sensual

「隠微」な照明こそ「淫靡」なのだ
Nureki Chimuo (author)

The place where I was convinced we had to film “The Secret Footage of Married Woman Hide Ishitani” was this bar tucked away in a back alley of Ginza. In terms of atmosphere and mood, it was absolutely perfect for an SM vibe, but the interior was cramped. Cramped, yet it exuded a unique sense of bein…

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Nureki Chimuo’s Talking Theater, Vol. 2 · 2008-09-23 00:00:00 · PDF 22 –29

There’s no way you can understand a woman’s true feelings

わかるわけない女の本心
Nureki Chimuo (author)

I’ve received messages from several readers who follow this “Talking Theater” series regularly, saying, “You should write about your reunion with Hide Ishitani more carefully and in greater detail. I want you to write about it.” This request is this; even though we met so frequently and shared such …

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Nureki Chimuo’s Talking Theater, Vol. 2 · 2008-09-24 00:00:00 · PDF 29 –36

Pleasure in rope, despite the pain

苦痛があっても快楽縄
Nureki Chimuo (author)

To Hide Ishitani. On the day of filming, I will remove the panties you’re wearing in the morning, roll them up, and stuff them into your mouth to use as a gag. Therefore, please be sure to bring a spare pair. The large white cloth of unbleached cotton for the gag, which covers half your face, will o…

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