Kitan Club

March 1974

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Cover of Kitan Club, March 1974

Issue Details

Volume
28
Issue
3
PDF pages
183

Summary

Kitan Club’s March 1974 issue is a large, densely illustrated SM magazine organized around bondage photography, erotic reportage, serialized fiction, personal confession, critical commentary, and reader communication. Its opening pages establish the publication’s commercial and visual identity through cover material, model-recruitment notices, and extensive photographic portfolios. The early image sections emphasize rope restraint, suspension, domestic Japanese interiors, named models, theatrical posing, and the transformation of bodily suffering or endurance into captioned photographic spectacle.

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The principal narrative section begins with The Battle Between the Grazing Beast and the Male Beast, a long camera-and-pen reportage combining first-person narration, travel, staged photography, animalization, collars, blindfolds, ropes, and coercive role-play. It is followed by the serialized M Group fiction Female Captive, which relocates similar concerns into a girls’ boarding-school world of surveillance, institutional discipline, confinement, punishment, and humiliation. The issue then moves through Sayuri, an SM Trainer, a personal account of entering SM practice and developing a professional identity, and SM Enterprise, serialized fiction about the commercialization of bondage, staged performance, money, spectatorship, and power.

Later sections deepen the issue’s testimonial and literary dimensions. The Song of the Canary That Forgot Its Song presents a reader-directed first-person account of photographic submission, shame, endurance, and the tension between SM experience and ordinary domestic life. A Wild Banquet in the Hell of the Female Body uses snakes, restraints, group observation, and staged violence to create a sensational spectacle, while Song of Two Hills explores voyeurism, concealment, mirrors, and the eroticized gaze. Dream shifts into surreal fiction about failed ambition, employment, marriage, footwear, commands, and domestic domination. The essay Notes on Tetsuzo Tsukamoto examines the magazine’s own photographic and reportage culture from the perspective of M women, making editorial aesthetics and reader response part of the subject.

The closing portion includes the period SM serial The Gate of the Purple Orchid, Noriko Omiya’s extensive memoir Enchanted by SM Magazines, a married-couple confession, a personal history of longing for rubber clothing, and the continuing sensational novel Great Eruption, whose later episodes involve Hong Kong, disguise, confinement, fetish garments, and the Beautiful Gorilla spectacle. Subscription solicitations and artwork requests reveal the issue’s publishing infrastructure, while the formal contents also identify later reader correspondence and recurring miscellany. Overall, the issue presents SM as an overlapping culture of fantasy, performance, photography, autobiographical disclosure, serialized narrative, and participatory specialist publishing.

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Table of Contents 21 items
  1. Color Photo Section
    Summary

    An opening color-photography section presenting staged female bondage, rope scenes, domestic interiors, and erotic tableaux. Visible captions refer to restraint, waiting, exposure, and sensory or bodily submission.

  2. Bound Enchantresses by Tetsuzo Tsukamoto
    Summary

    A substantial photographic portfolio of adult female models in rope-based restraint, suspension, kneeling and reclining poses, and theatrical domestic settings. Captions catalog different bindings, materials, emotional states, and bodily presentations while naming numerous models.

  3. Goddess of Venus by Chizuko Suzuki
    29
    Summary

    A one-page illustrated profile of a woman associated with professional wrestling who is presented as enjoying bondage, rough treatment, and humiliation. The page combines promotional prose with a staged photograph.

  4. The Battle Between the Grazing Beast and the Male Beast by Tetsuzo Tsukamoto
    30
    Summary

    A long camera-and-pen reportage follows a woman through travel, hotel, outdoor, and domestic scenes of animalized role-play, bondage, humiliation, photography, and staged endurance. Prose, dialogue, production detail, and a large photographic sequence present the woman’s transformation into a dog-like captive subject.

  5. Female Captive by Asao Saji / M Group
    70
    Summary

    The opening installment of a serialized captivity narrative set around a wealthy family and a strict girls’ boarding-school environment. Students face surveillance, forced chores, public humiliation, iron restraints, confinement, and escalating institutional punishment.

  6. Sayuri, an SM Trainer by Sayuri
    Summary

    Sayuri recounts her introduction to SM and her development as an instructor, discussing ropes, handcuffs, collars, chains, blindfolds, costumes, demonstrations, clients, and the construction of a public SM identity.

  7. SM Enterprise by Shinjiro Akitsu
    Summary

    The sixth episode of a serialized fiction about a commercial SM performance setting where money, customers, performers, commands, costumes, ropes, and handcuffs turn domination into public spectacle. Backstage organization gives way to jealousy, coercion, and increasingly dangerous private violence.

  8. The Song of the Canary That Forgot Its Song by Hiroko Takamura
    Summary

    A first-person reader-directed account of correspondence, travel, photographic submission, directed posing, physical helplessness, shame, endurance, and the wish to return to ordinary domestic life. An extensive monochrome photographic sequence reconstructs or documents the narrated bondage experience.

  9. A Wild Banquet in the Hell of the Female Body by Akiko Suzuka
    Summary

    A sensational account centered on Mary, a snake, a married couple, Li, and other participants in a staged scene of commands, restraint, physical exhaustion, humiliation, observation, and spectacle. The accompanying images reinforce the narrative’s snake, bondage, and organized-domination motifs.

  10. Song of Two Hills by Kiyoko Sonezaki
    Summary

    A confessional narrative beginning with an incident in a public toilet and developing into an exploration of concealed observation, mirrors, clothing, bodily detail, shame, and erotic curiosity. Narrow illustrations of female figures echo the narrator’s preoccupation with looking and concealment.

  11. Dream
    Summary

    A surreal erotic narrative begins with a failed young job seeker and an unusual employment advertisement, then develops through telephone interviews, mysterious instructions, marriage, footwear, commands, restraint, and dreamlike domestic role-play. The story shifts between ordinary social settings and elaborate scenes of domination and submission.

  12. Notes on Tetsuzo Tsukamoto by Keiichiro Maekawa
    Summary

    A critical profile of Tsukamoto Tetsuzō examines his SM reportage, photography, model presentation, reader response, and the changing relationship between documentary claims, staged performance, and erotic fantasy. The essay evaluates photographs as both aesthetic objects and evidence of an evolving SM publishing culture.

  13. The Gate of the Purple Orchid by Furyu Gokudoken
    Summary

    A serialized period SM narrative involving household hierarchy, servants, nicknamed participants, commands, restraint, humiliation, and staged domination. Historical setting and melodramatic dialogue frame a continuing network of coercive sexual play among several characters.

  14. Enchanted by SM Magazines by Noriko Omiya
    Summary

    Noriko Omiya’s extensive confession traces a path from reading SM magazines and imagining submission to writing editors, corresponding with readers, arranging meetings, and participating in bondage and domination. Marriage, secrecy, shame, fear, pain, agency, and the magazine as a social network are central concerns.

  15. Great Eruption by Seiki Chiba
    Summary

    A sensational serialized narrative involving Hong Kong, hotels, travel, passports, disguise, secret meetings, abduction, confinement, fetish clothing, and staged sexual spectacle. The Beautiful Gorilla episode turns costume, bodily concealment, restraint, and exhibition into an elaborate transformation scene.

  16. Visiting the Old Capital’s … and the S&M … by Machiko Maeda
    186
  17. The Glamorous Fox Girl by Kensaku Kiyama
    210
  18. The Distant White Path, Part 1 by Sakae Kuruki
    226
  19. Readers’ Correspondence by Selected by the editorial department
    274
  20. Image Gallery
  21. Odd Salon
    236

Highlights

  • The opening photographic material presents named models in extensive rope-bondage tableaux, using domestic interiors, captions, and staged poses to frame restraint as erotic visual documentation. (PDF pp. 3–26).
  • The camera-and-pen reportage The Battle Between the Grazing Beast and the Male Beast combines travel narrative, photography, animalization, collars, blindfolds, suspension, and coercive role-play. (PDF pp. 28–69).
  • Female Captive begins a new M Group serial centered on school discipline, institutional surveillance, confinement, iron restraints, and humiliation. (PDF pp. 70–79).
  • Sayuri, an SM Trainer presents a first-person account of learning bondage practices and building an SM identity through equipment, demonstrations, clients, and photographic presentation. (PDF pp. 80–83).
  • Notes on Tetsuzo Tsukamoto is an unusually self-reflexive essay on SM reportage, photography, readers’ responses, and the changing aesthetics of Kitan Club. (PDF pp. 134–143).
  • Enchanted by SM Magazines describes how magazine reading developed into correspondence, publication, arranged encounters, and lived SM experience within a reader network. (PDF pp. 154–168).
  • Longing for a Rubber Cape traces a personal fetish history through rubber capes, boots, gloves, bathing caps, secrecy, memory, and clothing-based desire. (PDF pp. 172–175).
  • Great Eruption closes the available issue pages with sensational scenes of Hong Kong travel, disguise, abduction, fetish clothing, confinement, and the internal Beautiful Gorilla episode. (PDF pp. 176–183).
  • The artwork solicitation and subscription notice document the magazine’s participatory submission system and commercial circulation infrastructure. (PDF pp. 133–135,153).

Contributors

Named contributors represented in this issue: