First Pictorial: The First Snow of Perfume

Blue-toned erotic and comic illustrations involving snowbound, theatrical, domestic, and surreal vignettes.

Second Pictorial: Gravure Photographs

Staged photographs of restraint, costume, exposure, domestic interiors, theatrical settings, and cutting-themed tableaux.

Front Colour Pages: Bondage Fashion

Illustrated practical discussion of producing bondage photographs, including equipment, lighting, film, posing, props, and composition.

My Opinion: KK Magazine Is a Fetishist Magazine

Minamimura Shunpei

Polemical essay defining KK as a specialist magazine for enthusiasts and discussing eroticism, authority, readership, and editorial independence.

Faint Memories

First-person remembrance of family, maternal authority, childhood, school, work, and remembered women, gradually becoming eroticized.

A Certain Diaper Maniac’s Dream

Fetish narrative about diapers, rubber garments, adult clothing, manufacture, materials, colors, and dreamlike domestic scenes.

Strange Tales: Thirty-Nine Night Stories — Twenty-Seventh Tale, Late Delivery

Sensational serial tale involving Arima, a club, photographs, restraint, death, rumor, and criminal investigation.

Strange Tales: Thirty-Nine Night Stories — Twenty-Eighth Tale, Photograph

Investigative tale organized around a photograph, a missing or endangered woman, family testimony, and institutional inquiry.

Fantasia Masochistica

Illustrated feature of equestrian role-play, costume, posture, riding equipment, photography, audience response, and masochistic performance.

Kizuna (Bond)

Continuing dramatic narrative of Yōko and Yūsuke involving police suspicion, imprisonment, marriage, pregnancy, domestic violence, restraint, forced labor, and possessive control.

I Want to Serve

First-person narrative about service, bodily inspection, obedience, employment, and humiliating sexual circumstances.

Somewhere in the Universe

Long captivity narrative about a female servant confined in rooms and subjected to ropes, chains, forced labor, surveillance, and punishment.

Mozosu

Shōzō Ishii

Illustrated historical narrative involving feudal households, marriage, status, escape, pursuit, and Takeda–Tokugawa conflict.

I Accuse

Tsutomu Takasaki

Polemical essay calling for a magazine responsive to social change and willing to investigate unusual and neglected subjects.

Western-Film Bondage Movies

Higashiyama

Visual and critical feature on staged bondage associated with Western cinema.

Women’s Erotic Picture Scroll, Series No. 8

Hōtei Rin

Serial visual portfolio of staged nude and semi-nude tableaux.

Answering Your Troubles

Shin Morinaka

Advice column responding to intimate questions about romantic and sexual concerns.

On the Strange Debate

Kiyoshi Nakamura

Essay on reader and contributor controversy, distinguishing productive debate from shallow sensationalism.

M in Everyday Life

Feature tracing masochistic and domination-related ideas through clothing, popular culture, ordinary behavior, and personal fantasy.

My Sadistic Journey

Tsutomu Tokusawa

Autobiographical account of the development of sadistic interests through childhood, adolescence, reading, and later experience.

On Zen

Yoshito Iwai

Short essay juxtaposing Zen, bodily discipline, erotic practice, restraint, and physical control.

The Female Body’s Response to Rope

Toshihisa Mōri

Photographic and personal account of a bondage session, describing staging, model reactions, and the photographer’s interpretation.

A Certain Woman and a Certain Man

Saburō Nakano

Satirical dialogue about marriage, education, income, family assets, and social status.

Longing for Female Power

Eizan Muroi

Essay on fantasies of female dominance, male submission, and reversed gender hierarchy.

Abu Magazine Rating Table

Editorial scoring page evaluating photographs, illustrations, prose, and novelty materials.

Annotated Masochist Senryū

Tomio Makino

Masochism-themed senryū with annotations explaining erotic jokes and social observations.

Readers’ Salon: A Day as a Slave

Mikawasei

Reader-submitted visual and textual account of staged bondage and enforced submission.

The SM Nature of Seppuku

Hisashi Okita

Essay interpreting seppuku, ritualized violence, bodily exposure, and historical symbolism as sources for SM fantasy.

The Panties That Cannot Be Removed

Yuyama Deisuke

Humorous hot-spring anecdote involving mixed bathing, underwear, voyeurism, and clothing fantasy.

Letter to an M Woman

Hajime Shimizu

Letter advocating communication and mutual understanding in relationships involving M and S preferences.

Embracing a Dark Dream

Kyō Shinji

Dark narrative of abduction, sexual violence, captivity, poverty, family authority, wartime disruption, and traumatic memory.

Slave Boy

Male bondage feature describing degrading labor, restraint, punishment, inspection, posture, and willing submission.

If I Were a Producer: The Kind of Film I Would Like to Make

Minakata

Film-oriented editorial on Japanese cinema, actresses, censorship, production constraints, crime, horror, bondage, and sensational scenarios.

The Empty Intestinal Irrigator

Comic grotesque feature involving intestinal cleansing, defective equipment, shopping, embarrassment, and pseudo-medical objects.

Boys’ Model Training School

Sugi

Quasi-institutional feature about adolescent male models, bodily measurement, posture, exercise, inspection, discipline, photography, and display.

Brilliant Revenge

Setsuo Kuroki

Fantasy narrative of attraction, workplace status, beauty, violence, pregnancy, attempted suicide, and revenge.

The Contract

Kitamura

Prize-selected manuscript about obsessive relationships, coercion, jealousy, punishment, bondage, and an in-story written contract.

The Enchanted Stage

Rōrō

Visual feature about theatre, costumes, masks, lighting, choreography, stage machinery, comic violence, and fetishized spectacle.

Readers’ Correspondence

Closing correspondence department containing letters, replies, model requests, photographic exchanges, fetish discussions, and reader-participation notices.

Cover: Fūryū Iroha Karuta

The cover presents Kitan Club’s April 1962 identity alongside staged erotic imagery and the magazine’s bilingual title treatment.

Sugiba Ibushi

Reiko, reading uncertain

A theatrical monochrome illustration centers a partially nude, strongly dominant female figure set against subordinate male figures and elaborate costume.

The Scarred Man

Kurokawa Fujio

A captioned illustration depicts a threatening, disfigured man controlling a doll-like or bound figure, using bodily abnormality and captivity as sensational motifs.

The Beautiful Abnormality

Kurokawa Fujio

A staged illustration places a woman between two men in a scene of betrayal, punishment, and visual control.

The Eerie Locked Room

Shiba Takashi, romanization uncertain

A bound woman and a nearby male figure occupy an enclosed room, emphasizing confinement, menace, and immobilization.

The Precious Jewel in the Hand

Shiba Takashi, romanization uncertain

A man carries or possesses a partly nude woman in a staged tableau that treats the female body as an object of control and possession.

By Day a President, by Night a Slave

Ayama Mitsuo, romanization uncertain

A captioned illustration reverses social and gender status by showing a formally dressed woman dominating a man, explicitly contrasting public authority with private enslavement.

Heavy Falling Object

Harukawa Namio

A bound figure and an implied falling weight create a staged scenario of physical danger, immobilization, and coercive spectacle.

The Maidservant’s Self-Disembowelment

A traditionally dressed woman with a blade introduces feudal service, obedience, and self-sacrifice into the opening illustration sequence.

The Ecstatic Realm of Ropes and Cords

Tsukamoto Tetsuzō

A large photographic program documents rope binding, foot restraint, hands-behind suspension, domestic bondage poses, seppuku staging, dominant and submissive roles, and outdoor suspension.

Women’s Blood-red Seppuku

A staged photographic sequence presents a woman performing seppuku play with a mirror, prop blade, theatrical blood, and ritualized self-harm imagery.

Female Dominant and Slave: The Realm of Masochism

A domestic photographic portfolio shows a dominant woman and male submissive in kneeling, foot-focused, costume, and restraint scenarios.

The Actual Practice of Bondage Photography: Neck Rope and Hands-Tied-Behind

Tsukamoto Tetsuzō, reading uncertain

An illustrated practical essay explains how to produce bondage photographs, including equipment, lighting, framing, rope configurations, poses, expressions, and the photographer’s direction of the model.

Mami and Shinobu

This first-person confessional fiction follows an intimate relationship structured by bondage, pain, endurance, domination, submission, and shifting master-slave roles. The installment concludes on printed page 53.

Nose, Rope, and Me

Nakamura Ryōko

A first-person fetish narrative centers on fascination with the female nose and develops through ropes, gags, handcuffs, humiliation, coercive fantasy, and reflections on authorship.

Somewhere in the Universe

Saji Asao, romanization uncertain

A long serialized SM novel moves from harsh school discipline into prison, escape, recapture, medical examination, dissection, electrical stimulation, and institutional bodily control.

Human Ego

Rihei Takiguchi

An essay questions human claims to superiority by juxtaposing animal slaughter with executions, experimentation, and other forms of human cruelty.

The Grave of Fallen Leaves

An episodic narrative of Masako and Teizō combines coercive sexuality, humiliation, restraint, memory, and sadomasochistic fantasy with integrated illustrations.

From the Notes of a Certain Enema Maniac

Shigeru Akai, reading uncertain

A fetish-cultural essay discusses enema practices, collecting, magazine imagery, and changing prewar and postwar attitudes toward domestic medical and sexual practices.

From My Abdominal-Seppuku Experience Record

Ryōko Fujimura

A first-person account describes a ritualized abdominal-cutting fantasy involving preparation, a blade, blood, pain, and theatrical observation of the body.

Fantasia Masochistica

Setsuo Yamamoto

A dreamlike dialogue presents a male submissive dominated by women through commands, riding imagery, restraint, punishment, and humiliation.

A Woman’s Record: The Heike Settlement

Kazuko Kusaki, reading uncertain

A continuing first-person narrative links a bound woman and a rural community to inherited discrimination, poverty, forced labor, wartime flight, policing, family conflict, and survival.

On Cross-dressing Play

Oda Namio

A confessional contribution discusses makeup, wigs, clothing, cross-dressing, erotic role-play, restraint, dependency, and humiliation.

Girls’ Sumo and Wrestling Scenes

Maruyama Keizō

A confession traces a fascination with girls’ sumo and wrestling through memories, local contests, holds, throws, and increasingly elaborate scenes of female physical domination.

Strange Tales Salon: A Solitary View of Life

Nagata Isao

An essay reflects on loneliness, modern alienation, readership, correspondence, and the magazine as a social and intellectual network.

Seppuku Photos: Review and Reputation

Minamigata Jun

A visual-criticism column evaluates staged seppuku photography through composition, props, costume, makeup, blood effects, continuity, and the balance between theatricality and photographic realism.

The Bars of the Mental Hospital

Kazuo Kawamura, reading uncertain

An autobiographical account of psychiatric hospitalization describes ward routines, electrotherapy, restraints, surveillance, stigma, correspondence, and eventual release.

A Love Letter

Kyōko Hamamura, role uncertain

An extended exchange of intimate letters discusses marriage, pregnancy, bodily change, photographs, unusual sexual preferences, and the tension between domestic life and exceptional desire.

Ode to Christiel

Tsujimura Takashi and/or Kyōko Hamamura, roles uncertain

A continuing correspondence feature combines personal testimony, reader questions, erotic experimentation, enema and irrigation practices, restraint, pregnancy, contraception, privacy, censorship, and editorial handling of intimate material.

Memories of A, Bound to the Cherry Tree

Kubo Takashi

A formally listed contribution whose body pages are absent from the issue scan.

Thirty-nine Nights of Strange Tales

Tsujimura Takashi

A formally listed strange-tales feature whose body pages are absent from the issue scan.

Confessional Self-binding Tale: Miscellany of Moxibustion

Kimura Seiichi

A formally listed self-binding confession whose body pages are absent from the issue scan.

Beauty amid Ugliness: A Devotee’s Record

Tobu Kazuhiko, reading uncertain

A formally listed devotee’s record whose body pages are absent from the issue scan.

The Fantasy of the Nappa Tape

Arahara Orio, reading uncertain

A formally listed fetish-fantasy item whose body pages are absent from the issue scan.

A Molester’s Nonsense

Watanabe Tadao

A formally listed short item whose body pages are absent from the issue scan.

A Ghost’s Nonsense

A formally listed item with uncertain title identity whose body pages are absent from the issue scan.