Kitan Club
February 1962
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Issue Details
- PDF pages
- 229
Summary
Kitan Club, February 1962 is a densely illustrated specialist magazine combining erotic visual culture, sadomasochistic fiction, bondage photography, personal confession, editorial polemic, reader correspondence, and commercial notices. Its opening pages establish a pictorial identity through blue-toned illustrations, captioned erotic vignettes, and extended photographic portfolios involving restraint, theatrical display, costume, bodily exposure, and cutting or seppuku imagery. The main body moves through editorial reflection, autobiographical and fetish-oriented prose, serialized fiction, illustrated bondage features, film commentary, advice departments, reader submissions, and correspondence. Across its genres, the magazine repeatedly joins erotic fantasy to performance, spectatorship, coercion, specialized readership, and participatory publishing.
Table of Contents 39 items
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First Pictorial: The First Snow of Perfume
Summary
Blue-toned erotic and comic illustrations involving snowbound, theatrical, domestic, and surreal vignettes.
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Second Pictorial: Gravure Photographs
Summary
Staged photographs of restraint, costume, exposure, domestic interiors, theatrical settings, and cutting-themed tableaux.
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Front Colour Pages: Bondage Fashion
Summary
Illustrated practical discussion of producing bondage photographs, including equipment, lighting, film, posing, props, and composition.
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My Opinion: KK Magazine Is a Fetishist Magazine
Summary
Polemical essay defining KK as a specialist magazine for enthusiasts and discussing eroticism, authority, readership, and editorial independence.
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Faint Memories
Summary
First-person remembrance of family, maternal authority, childhood, school, work, and remembered women, gradually becoming eroticized.
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A Certain Diaper Maniac’s Dream
Summary
Fetish narrative about diapers, rubber garments, adult clothing, manufacture, materials, colors, and dreamlike domestic scenes.
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Strange Tales: Thirty-Nine Night Stories — Twenty-Seventh Tale, Late Delivery
Summary
Sensational serial tale involving Arima, a club, photographs, restraint, death, rumor, and criminal investigation.
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Strange Tales: Thirty-Nine Night Stories — Twenty-Eighth Tale, Photograph
Summary
Investigative tale organized around a photograph, a missing or endangered woman, family testimony, and institutional inquiry.
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Fantasia Masochistica
Summary
Illustrated feature of equestrian role-play, costume, posture, riding equipment, photography, audience response, and masochistic performance.
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Kizuna (Bond)
Summary
Continuing dramatic narrative of Yōko and Yūsuke involving police suspicion, imprisonment, marriage, pregnancy, domestic violence, restraint, forced labor, and possessive control.
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I Want to Serve
Summary
First-person narrative about service, bodily inspection, obedience, employment, and humiliating sexual circumstances.
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Somewhere in the Universe
Summary
Long captivity narrative about a female servant confined in rooms and subjected to ropes, chains, forced labor, surveillance, and punishment.
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Mozosu
Summary
Illustrated historical narrative involving feudal households, marriage, status, escape, pursuit, and Takeda–Tokugawa conflict.
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I Accuse
Summary
Polemical essay calling for a magazine responsive to social change and willing to investigate unusual and neglected subjects.
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Western-Film Bondage Movies
Summary
Visual and critical feature on staged bondage associated with Western cinema.
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Women’s Erotic Picture Scroll, Series No. 8
Summary
Serial visual portfolio of staged nude and semi-nude tableaux.
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Answering Your Troubles
Summary
Advice column responding to intimate questions about romantic and sexual concerns.
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On the Strange Debate
Summary
Essay on reader and contributor controversy, distinguishing productive debate from shallow sensationalism.
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M in Everyday Life
Summary
Feature tracing masochistic and domination-related ideas through clothing, popular culture, ordinary behavior, and personal fantasy.
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My Sadistic Journey
Summary
Autobiographical account of the development of sadistic interests through childhood, adolescence, reading, and later experience.
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On Zen
Summary
Short essay juxtaposing Zen, bodily discipline, erotic practice, restraint, and physical control.
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The Female Body’s Response to Rope
Summary
Photographic and personal account of a bondage session, describing staging, model reactions, and the photographer’s interpretation.
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A Certain Woman and a Certain Man
Summary
Satirical dialogue about marriage, education, income, family assets, and social status.
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Longing for Female Power
Summary
Essay on fantasies of female dominance, male submission, and reversed gender hierarchy.
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Abu Magazine Rating Table
Summary
Editorial scoring page evaluating photographs, illustrations, prose, and novelty materials.
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Annotated Masochist Senryū
Summary
Masochism-themed senryū with annotations explaining erotic jokes and social observations.
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Readers’ Salon: A Day as a Slave
Summary
Reader-submitted visual and textual account of staged bondage and enforced submission.
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The SM Nature of Seppuku
Summary
Essay interpreting seppuku, ritualized violence, bodily exposure, and historical symbolism as sources for SM fantasy.
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The Panties That Cannot Be Removed
Summary
Humorous hot-spring anecdote involving mixed bathing, underwear, voyeurism, and clothing fantasy.
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Letter to an M Woman
Summary
Letter advocating communication and mutual understanding in relationships involving M and S preferences.
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Embracing a Dark Dream
Summary
Dark narrative of abduction, sexual violence, captivity, poverty, family authority, wartime disruption, and traumatic memory.
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Slave Boy
Summary
Male bondage feature describing degrading labor, restraint, punishment, inspection, posture, and willing submission.
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If I Were a Producer: The Kind of Film I Would Like to Make
Summary
Film-oriented editorial on Japanese cinema, actresses, censorship, production constraints, crime, horror, bondage, and sensational scenarios.
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The Empty Intestinal Irrigator
Summary
Comic grotesque feature involving intestinal cleansing, defective equipment, shopping, embarrassment, and pseudo-medical objects.
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Boys’ Model Training School
Summary
Quasi-institutional feature about adolescent male models, bodily measurement, posture, exercise, inspection, discipline, photography, and display.
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Brilliant Revenge
Summary
Fantasy narrative of attraction, workplace status, beauty, violence, pregnancy, attempted suicide, and revenge.
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The Contract
Summary
Prize-selected manuscript about obsessive relationships, coercion, jealousy, punishment, bondage, and an in-story written contract.
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The Enchanted Stage
Summary
Visual feature about theatre, costumes, masks, lighting, choreography, stage machinery, comic violence, and fetishized spectacle.
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Readers’ Correspondence
Summary
Closing correspondence department containing letters, replies, model requests, photographic exchanges, fetish discussions, and reader-participation notices.
Highlights
- The formal contents page presents illustrated stories, gravure photography, fiction, essays, recurring departments, and reader correspondence as an integrated specialist-magazine program. (PDF p. 5).
- The opening visual sequence combines erotic illustration with an extended staged bondage and cutting-themed photographic portfolio. (PDF pp. 6–34).
- The Practice of Taking Bondage Photographs explains cameras, lenses, lighting, backgrounds, props, posing, and the construction of erotic photographic scenes. (PDF pp. 35–43).
- My Opinion: KK Magazine Is a Fetishist Magazine explicitly defines the publication as a periodical for specialized readers and desires outside mainstream media. (PDF pp. 45–50).
- Fantasia Masochistica joins equestrian role-play, costume, posture, photography, and masochistic performance in a heavily illustrated feature. (PDF pp. 77–86).
- The issue’s long fiction repeatedly develops captivity, domestic coercion, punishment, revenge, and contractual domination, especially in Kizuna, Somewhere in the Universe, Brilliant Revenge, and The Contract. (PDF pp. 87–205).
- The Enchanted Stage turns fetish and sadistic fantasy into theatre, comic panels, masks, costumes, choreography, and staged spectacle. (PDF pp. 206–212).
- Readers’ Correspondence and the final submission notices reveal an active network exchanging letters, photographs, models, manuscripts, and specialized sexual knowledge. (PDF pp. 214–229).
Contributors
Named contributors represented in this issue:
