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Kinbaku Timeline

KINBAKU RESEARCH PLATFORM

Kinbaku Timeline

A chronology of people, publications, images, ideas, and practices documented in the Japanese SM Magazine Archive.

Dates and appearances describe material currently documented in the archive. They should not be read as claims of absolute historical first occurrence.

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647 archive events + 1 curated milestone 1961
1961
February
Article / Feature Fuzoku Kitan 4

Venus in Furs

Leopold von Sacher-Masoch

A presentation of Leopold von Sacher-Masoch’s classic erotic narrative about desire, fur fetishism, and submission within a dominant–submissive relationship.

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Article / Feature Gaho Fuzoku Kitan 5

One-Legged Pose

A photographic portrait presents a nude woman balancing in a one-legged standing pose while rope crosses and restrains her torso and limbs.

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Article / Feature Fuzoku Kitan 6–7

Snow Terrace

A photographic and illustrated feature stages women restrained outdoors on a snow-covered terrace, emphasizing the contrast between winter scenery and erotic bondage tableaux.

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Article / Feature Gaho Fuzoku Kitan 6

The Sorrow of Rope

A color photographic feature presents a rope-bound nude woman in a stark architectural setting, emphasizing the melancholy and poetic imagery suggested by the title.

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Article / Feature Fuzoku Kitan 8–9

Snow and Woman

Photographs depict women bound and lying or reclining in snow, presenting winter restraint scenes as a visual erotic portfolio.

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Article / Feature Gaho Fuzoku Kitan 12

Placed on the Kotatsu

A sequence of staged photographs shows a woman restrained with rope in a domestic room, particularly around a kotatsu and bedding, in a variety of seated, reclining, and folded positions.

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Article / Feature Fuzoku Kitan 10

Thrown Down in the Snow

This visual feature shows a woman thrown or positioned on the snow while restrained, with accompanying text highlighting the physical cold and danger of prolonged exposure.

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Article / Feature Gaho Fuzoku Kitan 14

Bound Woman in the Snow

A photographic feature depicts a woman bound outdoors in deep snow and in snow-themed interior scenes, combining winter landscape imagery with rope restraint and captivity poses.

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Article / Feature Fuzoku Kitan 13–14

School-Uniform Chair Torment

A school-uniformed woman is photographed bound to a chair in a series of staged restraint and punishment poses, emphasizing the tension between controlled posture and apparent distress.

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Article / Feature Fuzoku Kitan 15–17

Naked, Stretched Out

A photographic sequence depicts a nude woman undergoing elaborate rope bondage in seated, reclining, and floor-bound positions, highlighting both restraint technique and eroticized vulnerability.

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Article / Feature Gaho Fuzoku Kitan 16

Outside Are Snow and Ice

A photographic bondage feature contrasts a woman bound indoors with the snow and ice visible outside, emphasizing the isolation and sensory drama of winter restraint.

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Article / Feature Fuzoku Kitan 18–19

Languorous Restraint

A photographic feature presents a languorous woman bound with rope in a series of seated and kneeling poses, emphasizing her restrained posture and relaxed, sensual expression.

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Article / Feature Gaho Fuzoku Kitan 20

Cruel Ear Torment

Photographs depict a bound woman undergoing deliberate ear torment, including close manipulation and pulling of the ear as a sadistic punishment scene.

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Article / Feature Fuzoku Kitan 20

A Bound Body Rolled Over

A photographic study shows a bound woman rolled onto her side and back, highlighting the body’s contorted positioning within an extended rope restraint.

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Article / Feature Fuzoku Kitan 21–22

In an Old-Fashioned Atmosphere

This staged photographic feature places a woman in rope bondage within an Edo-style architectural setting, using an old-fashioned lantern, traditional décor, and theatrical posing to evoke historical Japanese atmosphere.

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Article / Feature Gaho Fuzoku Kitan 22

The Captured Little Bird

A photographic sequence depicts a young woman in a sailor-style school uniform being bound with rope, gagged, and posed in various restrained positions as the “captured little bird.”

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Article / Feature Fuzoku Kitan 23–24

Nude Woman on the Table

A staged photographic sequence presents a nude woman bound on and around a table, emphasizing rope restraint, confined poses, and the visual spectacle of immobilization.

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Article / Feature Fuzoku Kitan 25–26

Binding the Breasts

This photographic feature demonstrates rope binding focused on the breasts and upper torso, showing several tightly restrained poses and close views of the bondage arrangement.

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Article / Feature Gaho Fuzoku Kitan 26

Tormenting the Breasts

A photographic sequence focuses on the forced exposure and handling of a woman’s breasts within a staged bondage scene, accompanied by images of restraint and distress.

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Article / Feature Gaho Fuzoku Kitan 28

The Captive Beauty

A photographic feature presents a kimono-clad woman bound with rough rope in a series of staged seated and standing captivity poses, accompanied by text describing her sorrow and helplessness.

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Article / Feature Fuzoku Kitan 27–28

Tormenting the Legs

A staged sequence depicts a woman restrained on a patterned mattress while her legs and feet are bound, pulled, and subjected to painful pressure as part of a punishment scenario.

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Article / Feature Fuzoku Kitan 29–30

Pose of Cursed Binding

A photographic feature presents a woman in a series of tightly rope-bound poses, emphasizing the visual arrangement of restraint across the body and limbs.

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Article / Feature Gaho Fuzoku Kitan 30

The Naked Woman Cries Out

This visual feature depicts a nude or partially nude woman bound against a shōji-screen setting, emphasizing lament, exposure, and helplessness through staged rope-restraint photographs.

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Article / Feature Gaho Fuzoku Kitan 31

Elegant Suspension Pose

A photographic portfolio titled “Elegant Suspension Pose” shows a kimono-clad woman restrained by ropes attached overhead, including standing, kneeling, and close-up compositions that foreground suspension and bodily submission.

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Article / Feature Fuzoku Kitan 31

Inverted Woman

A photographic feature depicts a woman bound in an inverted posture, with captions framing the physical sensations and disorientation associated with being held upside down.

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Article / Feature Fuzoku Kitan 32–41

The Strange World

A multi-page illustrated portfolio titled “The Strange World” presents erotic fantasy scenes of women subjected to elaborate restraints, captivity, and punitive or coercive situations, including rope bondage, suspension-like setups, and theatrical tableaux.

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Article / Feature Gaho Fuzoku Kitan 34

Woman in Tribulation

A photographic feature depicting a woman in distressed and submissive poses, reclining, kneeling, and moving across an interior setting while wearing minimal clothing.

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Article / Feature Gaho Fuzoku Kitan 36

Bound on a Chair

A photographic sequence shows a woman tightly bound to and around a chair with rope, including seated, reclined, gagged, and contorted positions.

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Article / Feature Gaho Fuzoku Kitan 38

Standing Bound Figure

A photographic feature presents a woman standing while extensively rope-bound across the torso, hips, and legs, with additional images emphasizing her gagged and immobilized posture.

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Article / Feature Gaho Fuzoku Kitan 40

During the Enema

A staged photographic feature depicts a woman undergoing an enema, presenting the procedure, equipment, bodily reactions, and changing restrained positions as eroticized medical play.

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Article / Feature Gaho Fuzoku Kitan 41

Black Underwear

A photographic model feature titled “Black Underwear” combines black lingerie or swimwear with rope restraint and posed erotic display.

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Article / Feature Gaho Fuzoku Kitan 43–49

Seven Scenes of Women Subjected to Pitiless Torment

A sequence of seven staged scenes portrays women subjected to elaborate forms of restraint and punishment, including rope bondage, confinement, steam, mechanical devices, animal-threat imagery, and candle-related torment, framed as erotic fantasy rather than…

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Article / Feature Fuzoku Kitan 83

The World of the Masochist

Okumura Sekio

An essay examines the psychological world of masochism by contrasting passive and active sexual roles, discussing suffering, pleasure, gendered expectations, and the interpersonal search for fulfillment.

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Article / Feature Fuzoku Kitan 84–89

War Atrocities: Four Stories

Kan Ryōta

A four-part wartime narrative collection depicts military interrogations, captivity, torture, sexual violence, and brutal punishment inflicted on women and men amid the violence of war.

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Article / Feature Fuzoku Kitan 90–99

Beautiful Cruel Demon

Umyōin Itta

An illustrated erotic narrative follows the coercive domination and abuse of a woman, combining captivity, rope bondage, forced exposure, physical punishment, and sadistic violence in a dramatic fictional setting.

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Article / Feature Gaho Fuzoku Kitan 51

The Shy Pose

A photographic feature presents a nude model bound with rope in a shy, rear-hand restraint pose, emphasizing posture and visual presentation.

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Article / Feature Gaho Fuzoku Kitan 53

Suffering Under Restraint

A multi-page photographic feature depicts a nude model in several tightly bound positions, including curled, seated, and floor-based poses, presenting restraint as a source of physical discomfort and emotional tension.

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Article / Feature Gaho Fuzoku Kitan 55

Rear-Hand Pose

A concluding visual feature combines photographs of a fully nude model tied with her hands behind her back with Japanese commentary on embarrassment, exposure, and bodily posture.

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Article / Feature Gaho Fuzoku Kitan 60

A Substitute for Horns

A photographic bondage vignette set in a tiled bathing space shows a woman restrained in several poses, with accompanying text describing her inability to resist what is done to her.

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Article / Feature Fuzoku Kitan 117–130

God, Drop Dead

A serialized erotic-SM story follows a group of men and women through abduction, confinement, interrogation, and elaborate punishments involving ropes, restraints, gagging, enemas, and humiliation. The narrative repeatedly stages coercive encounters between captors and…

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Article / Feature Gaho Fuzoku Kitan 60

Diaper

A photographic fetish feature centered on a woman wearing a diaper, presented through posed rear and side-view images.

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Article / Feature Gaho Fuzoku Kitan 69–76

The Mysterious World

A visual feature combining stylized erotic illustrations and photographs of women in lingerie, ropes, posed restraint, and other theatrical bondage tableaux, framed as an imaginative or “mysterious” world of erotic spectacle.

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Article / Feature Gaho Fuzoku Kitan 69

The World of Buttock Beating

A two-page visual feature titled “The World of Buttock Beating” presents spanking-themed fetish illustrations by John Willie, including elaborately dressed women in restrained or submissive poses and a suited man interacting with a posed…

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Article / Feature Gaho Fuzoku Kitan 88–93

Strange Tale of the Tendō White Snake Sect

Mimura Jirō

Mimura Jirō’s illustrated supernatural crime tale follows the White Snake Sect, a secretive new religious group whose female followers are drawn into an underground sanctuary, ritualized coercion, captivity, and violent sacrifice.

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Article / Feature Fuzoku Kitan 133–138

White Tower: Red-and-White Blood Match

Shinoda Fujimi

A historical erotic fiction presents a violent “red-and-white” contest within a feudal household, in which women are captured, stripped, bound, threatened with swords, and subjected to ritualized punishment and sexual humiliation. Illustrated scenes emphasize…

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Article / Feature Gaho Fuzoku Kitan 94–97

Bondage Model Kaleidoscope

A photographic portfolio presents multiple bondage models in varied rope-bound poses, accompanied by brief captions and model profiles emphasizing appearance, physicality, and the visual appeal of restraint.

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Article / Feature Fuzoku Kitan 79–85

Corset Fetishism: Eight Scenes

An illustrated eight-scene feature presents corset-centered fetish imagery, including historical and contemporary visual depictions of restrictive garments, protective corsets, and staged scenes of wearing and tightening them.

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Article / Feature Gaho Fuzoku Kitan 98–103

The Woman Who Wagered on Chō-han

Tajima Suekichi

This illustrated historical erotic narrative follows a woman caught in a chō-han gambling wager in an Edo-period setting, leading to coercive encounters, captivity, and escalating restraint by male characters.

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Article / Feature Fuzoku Kitan 168–181

At the Bottom of the City's Night

Aoyama Miekichi

A sensational erotic fiction follows Miekichi and other characters through a nocturnal urban underworld of deception, captivity, forced restraint, punishment, and escalating coercive sexual encounters involving ropes, gags, and other forms of bondage.

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Article / Feature Gaho Fuzoku Kitan 104–113

Readers’ Forum

A multi-page readers’ forum gathers correspondence, reactions, requests, and criticism concerning the magazine’s bondage, erotic photography, fiction, and editorial direction, while also providing publishing and ordering information for readers.

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Article / Feature Gaho Fuzoku Kitan 115–122

Itō Seiu Punishment Photograph Collection

Itō Seiu

A memorial feature on Itō Seiu presents a photographic portfolio of staged punishment and bondage scenes, including snow punishment, rope restraint, blindfolding, burning-at-the-stake imagery, and outdoor hands-behind binding, alongside a brief tribute to his…

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Article / Feature Fuzoku Kitan 182–183

My Half-Life in Women's Clothing

Mishima Yayoi

Yayoi Mishima recounts a personal half-life shaped by wearing women's clothing, describing childhood and adult experiences of feminine presentation, social secrecy, and the emotional significance of cross-dressing.

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Article / Feature Fuzoku Kitan 184–187

Reader Salon

This reader-salon section presents letters and editorial replies about preferred erotic photographs, models, poses, bondage imagery, female domination, and other reader interests. It also includes requests for model information and contributions, showing how readers…

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March
Magazine Issue Gaho Fuzoku Kitan

April 1961

The April 1961 issue of Gaho Fuzoku Kitan is organized around an extensive sequence of staged bondage photography, followed by illustrated torment fantasies, foreign-derived erotic art, fiction and reportage, reader correspondence, and a substantial…

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Magazine Issue Uramado

April 1961

The April 1961 issue of Uramado combines illustrated erotic fiction, bondage photography, sexual and psychological commentary, crime and historical narratives, reader-oriented miscellany, and international reportage. Its formal contents reveal an editorial design that alternates…

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Historical Milestone Confirmed

Seiu-Style Ways of Tying Women

Itō Seiu

Fuzoku Kitan’s April 1961 special issue moves from historical punishment into a feature explicitly presenting Seiu-style methods of tying women. Its placement makes the relationship between punishment imagery, historical reference, and erotic bondage unusually…

Connections

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Article / Feature Fuzoku Kitan 2–5

Red Shoes Domina

A staged photographic and illustrated feature presents a red-shoed dominant woman exercising authority over a submissive male subject, emphasizing footwear and ritualized scenes of control.

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Article / Feature Gaho Fuzoku Kitan 3–6

Four Outdoor Bondage Poses

A photographic feature presents four staged outdoor rope-bondage poses, showing models restrained against trees, a shrine structure, a haystack, and a stone setting.

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Article / Feature Fuzoku Kitan 6–20

Spring Bondage: 50 Poses

A large photographic portfolio presents approximately fifty bondage poses, showing women restrained with rope in domestic interiors, courtyards, gardens, stairways, and other outdoor or semi-rural settings, often incorporating positional discomfort and costume changes.

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Article / Feature Uramado 9, 50–57

The Torture-Device Maker

Tsukumo Jūrō

A long illustrated and photographic erotic narrative about a maker of torture devices, moving between historical Edo settings and modern staged scenes of captivity, bondage, sexual punishment, and masochistic desire.

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Article / Feature Gaho Fuzoku Kitan 8

Stone-Lantern Binding

This photographic feature depicts a model bound to a stone lantern in an outdoor shrine setting, with accompanying text describing the restrictive pose and its visual effect.

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Article / Feature Gaho Fuzoku Kitan 9–10

Butterfly Binding

A photographic feature presents “butterfly binding,” positioning a model with her arms spread and tied between stone lanterns, accompanied by text comparing the pose to a butterfly specimen.

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Article / Feature Uramado 15–18

Hanging Torment

Yoshida Hisashi

A photographic portfolio documents women bound and suspended by rope in staged scenes of physical restraint and torment.

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Article / Feature Gaho Fuzoku Kitan 11–12

A Humiliating Posture

A photographic feature presents a woman bound in rope and made to hold a series of crouching, folded, and otherwise deliberately humiliating postures.

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Article / Feature Gaho Fuzoku Kitan 13–14

Tied to a Tree

An outdoor photographic feature depicts a woman tied against a tree in several rope-bound standing and reclining positions amid woodland scenery.

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Article / Feature Uramado 20–27

The Devil's Lips

Tanuma Shūo

An illustrated erotic fantasy follows a narrator’s obsessive fascination with Akemi, a strip performer whose body—especially her thighs—becomes the focus of escalating bondage, humiliation, and coercive encounters.

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Article / Feature Gaho Fuzoku Kitan 15–16

Neck-Suspension Pose

A photographic feature explores neck-suspension bondage poses, showing a woman restrained by ropes around the neck and body in standing and floor-based scenes.

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Article / Feature Gaho Fuzoku Kitan 17–18

Quiet Bondage

A photographic feature presents a woman bound with rope in a series of quiet seated, kneeling, and curled poses against an indoor curtain backdrop.

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Article / Feature Gaho Fuzoku Kitan 19–20

Bound Reclining Pose

A photographic sequence depicts a woman rope-bound and reclining on grass in varied outdoor poses, emphasizing stillness and constrained posture.

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Article / Feature Fuzoku Kitan 21–29

The World of Spanking

A visual feature presents spanking as an eroticized spectacle through staged photographs and illustrated scenes of women being spanked, restrained, and subjected to related corporal punishments.

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