Uramado

October 1964

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Cover of Uramado, October 1964

Issue Details

PDF pages
227

Summary

Uramado’s October 1964 issue is a hybrid specialist magazine combining erotic photography, illustrated fiction, film criticism, social commentary, visual-art promotion, reader correspondence, and serialized pulp narrative. Its opening pages establish a strongly visual identity: the cover presents a staged nude figure beside a waterfall, while the contents and promotional matter advertise gravure photography, illustrated stories, art collections, subscriptions, and related Uramado books. Early image sections include bondage and suspension illustrations and a dramatic black-and-white photographic sequence featuring chains, ropes, posed submission, and theatrical settings.

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The issue then moves between erotic representation and broader cultural criticism. The extended discussion of the film Daydream examines cinematic SM, medicalized authority, humiliation, spectatorship, bodily display, and the tension between popular entertainment and artistic seriousness. Modern Witch Trial provides a contrasting polemical essay on censorship, obscenity, youth protection, moral regulation, book bans, and freedom of expression, arguing that campaigns against supposedly harmful publications can become attacks on democratic and personal autonomy. Other prose and visual features connect erotic fantasy with poverty, prostitution, commerce, social marginality, and the commodification of women’s bodies.

Fiction occupies much of the middle and later issue. Panorama Island Secret Story, Prayer to the Ravished Goddess, Gwendoline material, Cold Blood, Dancer Myokko, and the continuing historical-fantasy narrative 乱世呪縛伝 combine prose with photographs, drawings, comics, and pulp-adventure conventions. Their recurring motifs include captivity, bondage, humiliation, theatrical performance, military or clan authority, supernatural danger, and rescue. The issue also includes portfolios of glamorous women, melancholy and restrained poses, erotic drawings by Ryūji Ochiai and Oki Shōji, and the rope-bondage portfolio Play with Rope.

The closing sections broaden the magazine’s community and publishing identity. Gordon’s Memory supplies a modern occult mystery, Reader’s Corner records interaction among editors and readers, and the final pages advertise erotic art collections and index earlier Uramado issues. Taken as a whole, the issue documents a postwar Japanese erotic-print culture in which specialist photography, fiction, illustration, criticism, mail-order commerce, and reader participation are closely intertwined.

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Table of Contents 16 items
  1. SM Sexuality in Daydream by Fujimi Iku
    Summary

    An extended film-critical essay analyzes the SM qualities of Takechi Tetsuji’s Daydream, including bondage, humiliation, medical authority, bodily display, voyeurism, performance, and the relationship between erotic cinema and artistic reception.

  2. The Modern Witch Trial by Kunieda Kappei
    Summary

    A polemical essay compares modern campaigns against allegedly harmful books and publications with witch trials, examining censorship, obscenity, youth protection, public morality, education, state power, and the limits of democratic freedom.

  3. The Dancer Myokko by Mitsutani Tōho
    Summary

    An illustrated theatrical narrative follows a dancer through performances, dressing-room encounters, costumes, audience reactions, and sexualized relations between performer and spectator.

  4. The Secret Tale of Panorama Island by Kitazono Tōichirō
    Summary

    A theatrical serialized fiction follows women, observers, and participants through coercive games, humiliation, restraint, staged observation, and shifting social power, with photographs functioning as integral narrative plates.

  5. A Pose Waiting for the Whip by Ochiai Ryūji
    223
    Summary

    A full-page green-tinted erotic drawing presents a bound woman posed against a vertical support in a deliberately staged scene of restraint and fetishized confinement.

  6. Guide to the Shame Arts Graph
    Summary

    A promotional guide to an erotic-art graph collection lists photographic and illustrated portfolios, rope and bondage imagery, artists, and collectible visual material available by order.

  7. Oki Shōji: Exhibition of Exquisite Erotic Paintings
    224
    Summary

    A two-page pink-toned portfolio displays erotic drawings of women tied to furniture, posts, beds, and floors in stylized domestic and theatrical scenes.

  8. Play in Okinawa by Yoshida Hisashi
    Summary

    A black-and-white photographic portfolio shows a woman posed with thick rope in seated, reclining, kneeling, and restrained tableaux, emphasizing rope, vulnerability, and theatrical confinement.

  9. A Melancholy Pose by Inoshima Masaya
    Summary

    A coordinated photographic and drawn portfolio presents a woman in restrained, immobilized, distressed, and pensive poses across domestic and studio-like settings.

  10. Radiant Woman by North American Phoenix Trading Company
    Summary

    A long visual portfolio combines glamorous studio photographs and line drawings of women in lingerie, stockings, gloves, heels, corsetry, and theatrical poses, including a model identified as Linda de Ferrero.

  11. Footsteps of Someone Approaching by Yoshida Hisashi
    Summary

    A modern occult mystery begins with an impossible murder and develops through police investigation, dreams, altered bodies, animal-skin evidence, memory, and the possibility that supernatural forces evade rational explanation.

  12. Gravure Offset Page: The Selfish Princess by Yoshida Hisashi
    154
    Summary

    A photographic gravure sequence presents staged women’s bodies in bondage and restraint tableaux, functioning as a visual feature or sample plate within Uramado’s erotic-art publishing program.

  13. Pictorial Story: Cold Blood by Ochiai Ryūji
    Summary

    A violent illustrated narrative involving a woman, military figures, interrogation, restraint, sexual coercion, and wartime authority links eroticized domination to martial hierarchy and bodily punishment.

  14. Prayer to the Ravished Goddess by Morimoto Aizō
    Summary

    The seventh installment follows a male narrator through encounters shaped by prostitution, poverty, illness, commercial exploitation, visual staging, and shifting relations between vulnerability and sexual agency.

  15. American Pictorial Story: Gold Dream by Yagiri Jūhachi
    19
    Summary

    A coherent black-and-white photographic sequence presents a recurring female model in dramatic masonry and interior settings, using chains, restraints, kneeling poses, and staged S–M tableaux.

  16. Full-Contact Masochism: Notes from a Turbulent World by Ushio Kazuki
    166
    Summary

    A serialized theoretical and narrative feature considers masochism through psychological reflection and explicit scenes of pain, humiliation, bondage, submission, voyeurism, and sexualized violence.

Highlights

  • The cover and opening visual pages establish Uramado’s combination of staged erotic photography, bondage imagery, fantasy composition, and collectible art culture. (PDF pp. 1–19).
  • The Daydream criticism examines cinematic SM, medicalized authority, humiliation, spectatorship, and the cultural reception of erotic film. (PDF pp. 40–51).
  • Modern Witch Trial attacks censorship campaigns and debates obscenity, youth protection, publishing, public morality, and freedom of expression. (PDF pp. 86–98).
  • The issue’s fiction combines erotic coercion and bondage with theatrical, historical, supernatural, and pulp-adventure forms. (PDF pp. 26–39,52–81,154–198).
  • The Radiant Women and Melancholy Pose portfolios document mid-century eroticized fashion, glamour, restraint, and staged feminine display. (PDF pp. 99–132).
  • Reader’s Corner reveals an active community of readers submitting letters, photographs, artwork, and responses to serialized material. (PDF pp. 209–211).
  • The closing catalog and retrospective index document Uramado’s wider publishing network of erotic photographs, illustrations, fiction, and specialist art books. (PDF pp. 224–227).

Contributors

Named contributors represented in this issue: