Fuzoku Kitan

An illustrated water-torture scene depicts a naked woman restrained spread-eagled while being forced to drink water until her stomach painfully distends.

A photographic and textual feature presents staged scenes of whipping, restraint, and humiliating punishment involving a youthful male subject and women, framed as an aestheticized form of cruelty.

A photographic portfolio shows women bound and suspended by their feet in traditional Japanese interiors, emphasizing inverted poses and elaborate rope arrangements.

A photographic feature depicting a woman bound with rope in varied poses among rocks and vegetation, presenting outdoor rope restraint as an erotic visual tableau.

A photographic feature demonstrating a woman wearing a brassiere-like restraint incorporating a dog collar, with close views of the apparatus and several posed configurations.

A photographic instructional feature showing a woman restrained with ropes and poles in seated and floor positions, accompanied by captions describing the tying arrangement.

A photographic bondage feature depicts a woman tied upright to bars and forced into physically strained, exposed poses, emphasizing ordeal and humiliation.

This photographic portfolio presents varied red-and-white rope bindings, including restraints to bars and complex body bindings modeled in staged seated, standing, and reclining poses.

A photographic sequence titled “Moment of Ecstasy” shows a woman in elaborate rope restraints adopting seated and reclined poses that frame bondage as an intense sensory experience.

A staged photographic sequence presents a woman bound with rope in deliberately awkward and exposing poses, emphasizing embarrassment, restraint, and the viewer’s observation of her discomfort.

This photographic feature depicts a woman secured in a series of rope suspension positions, including elevated and strained poses that frame bondage as physical torment and spectacle.

A staged photo story shows a woman interacting with and being encircled by a coiling snake amid rope-bound poses, combining animal imagery with eroticized restraint and fetish spectacle.

Two erotic illustrations depict women subjected to extreme restraint and torment, including binding inside a log cabin and crucifixion-like immobilization on rocky terrain.

Two illustrated scenes present women bound with bamboo and ropes in punitive, threatening settings, including one portrayed as a shooting target.

A photographic record documents wartime atrocities, showing executions, corpses, mass violence, and other abuses committed against civilians and prisoners in Poland, China, and elsewhere during World War II.

An essay examining sadism as a destructive human impulse, linking individual cruelty and group violence to wartime atrocities and the psychology of domination.

A first-person reportage account by detained military nurses describing their capture during the postwar collapse in Manchuria, confinement in a makeshift torture warehouse, and repeated beatings, sexual violence, humiliation, and attempts to escape from Soviet military custody.

A historical account of wartime interrogation and punishment in China in which a woman is subjected to hair burning, hair suspension, physical abuse, and extreme humiliation by military personnel.

A historical erotic narrative depicts the mass capture, bondage, humiliation, torture, and execution of 122 women during the Sengoku period, illustrated with scenes of restraint and violence.

This historical account describes two sisters subjected to fire and water torture amid religious persecution and wartime repression, emphasizing their physical suffering and the cruelty of punishment.

A reader-salon section brings together correspondence, personal contributions, editorial replies, and discussion of erotic magazines, fetish imagery, photography, gendered interests, and readers’ experiences.