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Fuzoku Kitan

December 1960

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Cover of Fuzoku Kitan, December 1960

Issue Details

PDF pages
173

Summary

The December 1960 issue of Fuzoku Kitan is organized around a major special feature devoted to the artist and bondage practitioner Ito Seiu. The issue opens with a formal contents page and an unusually large visual section combining color illustration, sketches, bondage photography, and reproductions of Seiu’s historical punishment imagery. The opening gravure sequence moves through a succession of staged rope-bondage settings, including stone steps, interiors, a bath, ruins, patterned rooms, an office, a pine tree, and a garden. These photographs emphasize positional variation and environmental staging, while the accompanying short captions transform each location into a miniature bondage scenario.

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The Seiu feature then turns from contemporary photography to his artistic legacy. A sequence of reproduced drawings depicts historical punishments and restraints, followed by the Seiu Female-Body Bondage Photograph Collection, in which kimono-clad women are tied, suspended, beaten, or posed in explicitly theatricalized scenes of punishment. The editorial introduction Ito Seiu: The Man and His Works is followed by Ekoda Hachiro’s biographical profile and Miyahara Shizuo’s discussion of Seiu’s photographic punishment work, placing the images within a broader assessment of his career and influence.

The prose section broadens from Seiu to contemporary discussions of masochism, fetishism, voyeurism, bondage technique, sexual confession, and erotic fiction. Tani Kanta’s sixth installment of Letters from a Masochist presents correspondence as evidence of individual masochistic experience. Hachibanba Takeo discusses voyeurism, while Kabiya Kazuhiko examines a European five-sided adult initiation ritual. Hattajima Suekichi considers olfactory fetishism, and Fujikawa Jun discusses wooden-horse punishment and pulley suspension. Fiction and quasi-reportage include The Faceless Foot Club, My Married Life, Torture of a Female Reporter, White Butterfly, Four Methods of Stimulating Games, The Man Who Seeks the Water of Enchantment, and Under the Beautiful Whip.

The later pages continue the mixture of historical curiosity, erotic fantasy, confession, and reader culture. Fujitate Eikichi’s Origin of Tateishi-sama treats a punishment-related historical or folkloric subject, Sugiura Saburo contributes Confession of a Panty Maniac, and Aoyama Miekichi’s sadistic fiction The Terror of Tanbiso forms the last long narrative. The Reader Salon closes the editorial body with commentary and reader-oriented discussion. Subsequent pages advertise related publications and describe the newly established distribution department, while the colophon records the December 1, 1960 publication of the issue. Across its full span, the issue presents Fuzoku Kitan as an intersection of bondage documentation, erotic art history, fetish psychology, sensational fiction, and participatory reader culture.

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Table of Contents 39 items
  1. Nozarashi by Ito Seiu
    unnumbered color insert
  2. Punishment-Sketch Collection by Ito Seiu
    unnumbered insert
  3. Bound Nude Woman on the Stone Steps
    2
  4. Blind Bird
    4
  5. Before the Stone Wall
    6
  6. With the Long Juban in Disarray
    8
  7. Bound to a Pole
    10
  8. White Skin on the Terrace
    12
  9. A Secluded Pose in the Bath
    14
  10. Captive in the Ruins
    16
  11. Amid the Floral Pattern
    18
  12. Outrage in the Office
    20
  13. Suspended from a Pine Tree
    22
  14. Two Poses in the Garden
    24
  15. Made to Wear Shoes of Fire by Ito Seiu
    32
  16. Suruga Punishment by Ito Seiu
    33
  17. Shimoto Punishment by Ito Seiu
    34–35
  18. Dragging Punishment by Ito Seiu
    36
  19. Corpse Punishment by Ito Seiu
    37
  20. Suribachi Punishment by Ito Seiu
    38
  21. Seiu Female-Body Bondage Photograph Collection
    43
  22. Ito Seiu's Profile by Ekoda Hachiro
    52
  23. Seiu's Photographic Punishments by Miyahara Shizuo
    55
  24. Letters from a Masochist 6: Correspondence Between Masochists by Tani Kanta
    58
  25. Voyeurism by Hachibanba Takeo
    69
  26. Secret Method 2: Adult Initiation Ritual Inside the Pentagon by Kabiya Kazuhiko
    70
  27. On Olfactory Fetishism by Hattajima Suekichi
    77
  28. Wooden-Horse Punishment and Pulley Suspension by Fujikawa Jun
    78
  29. The Faceless Foot Club by Shishimura Yutaka
    84
  30. My Married Life by Hirai Yukiko
    96
  31. Torture of a Female Reporter by Tomon
    103
  32. White Butterfly by Tsuda Kozo
    114
  33. Four Methods of Stimulating Games by Mano Rei
    122
  34. The Man Who Seeks the Water of Enchantment by Matsui Kosui
    127
  35. Under the Beautiful Whip by Toyama Kazuhiko
    132
  36. Origin of Tateishi-sama by Fujitate Eikichi
    138
  37. Confession of a Panty Maniac by Sugiura Saburo
    148
  38. The Terror of Tanbiso by Aoyama Miekichi
    152
  39. Reader Salon
    170

Highlights

  • A large opening gravure portfolio stages female bondage in a sequence of indoor and outdoor environments, treating architectural and natural settings as integral components of the restraint scenarios. (PDF pp. 8–31).
  • The special Ito Seiu feature reproduces punishment and restraint drawings, including historical-style scenes of dragging, suspension, corpse punishment, and suribachi punishment. (PDF pp. 32–38).
  • The Seiu Female-Body Bondage Photograph Collection presents an extended series of staged punishment photographs using rope, suspension, beating implements, kimono, and theatrical poses. (PDF pp. 39–47).
  • Ito Seiu: The Man and His Works introduces the issue's central special feature and frames Seiu as an important figure in erotic and punishment art. (PDF p. 48).
  • Ekoda Hachiro's profile of Ito Seiu provides biographical recollections and contextualizes his career as a painter and researcher of customs and punishment imagery. (PDF pp. 49–51).
  • Letters from a Masochist, installment six, treats private correspondence as material for discussing individual histories and expressions of masochistic desire. (PDF pp. 55–65).
  • The middle of the issue contains a concentrated run of essays on voyeurism, European initiation customs, olfactory fetishism, wooden-horse punishment, and pulley suspension. (PDF pp. 66–78).
  • The Faceless Foot Club is a substantial illustrated erotic narrative centered on anonymous or depersonalized fascination with women's feet. (PDF pp. 79–90).
  • The later prose section moves between women's testimony, reporter-torture fantasy, bondage fiction, historical punishment lore, and confessional fetish writing. (PDF pp. 91–164).
  • Reader Salon and the final publication pages reinforce the magazine's identity as a continuing reader community, followed by notices for related publications, distribution information, and the issue colophon. (PDF pp. 165–173).

Contributors

Named contributors represented in this issue:

Kinbaku Today is an independent online journal dedicated to the study, practice, and cultural history of Japanese rope bondage. Blending essays, translations, interviews, and archival research, it explores kinbaku not simply as technique, but as a living dialogue between history, performance, and human connection.
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