Uramado

April 1961

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Cover of Uramado, April 1961

Issue Details

Volume
6
Issue
4
PDF pages
210

Summary

The April 1961 issue of Uramado combines illustrated erotic fiction, bondage photography, sexual and psychological commentary, crime and historical narratives, reader-oriented miscellany, and international reportage. Its formal contents reveal an editorial design that alternates between explicitly sadomasochistic material and the magazine’s broader interest in taboo sexuality, unusual behavior, popular psychology, crime, and sensational cultural subjects. The opening fiction, The Torture-Device Maker, is heavily illustrated and follows an elderly craftsman obsessed with constructing devices for restraint and punishment. It is interrupted by other features and resumes later, giving the early portion of the issue a deliberately serialized rhythm within a single number.

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The visual center of the opening section is Hanging Torment, photographed by Yoshida Hisashi, a stark black-and-white sequence in which a nude woman’s wrists are secured overhead. The Devil’s Lips follows as an illustrated first-person masochistic narrative, while The Cursed Breasts turns to a historical crime tale involving a woman subjected to public restraint and punishment. Kuroda Shirō’s Temptation to Masochism then moves into popular psychological and cultural commentary, discussing cruelty, domination, social hierarchy, sexual behavior, and examples drawn from contemporary life and film. Subsequent fiction and essays range from Toraji Should Be Bound and Possessed by Sound to Akashi Shioko’s historical memorandum and Nagai Takujirō’s Hungry Eyes Shine on the Stairs.

The middle of the issue again emphasizes visual eroticism. The Rough Rope and Black Hair Composition is an extended Yoshida Hisashi photographic study of a woman bound with coarse rope, followed by the illustrated tale The Binding Curse of Princess Teru and the feature Shōji and Woman. The Strange Island of Female Guardians develops a longer exotic or fantastic narrative before the magazine shifts into the Uramado Town miscellany section, mixing brief observations, cultural notes, sexual anecdotes, and topical commentary. Shima Fuji’s Black-Hair Confession continues the autobiographical and erotic-confessional mode.

The later pages broaden considerably. The World Beneath the Skirt, installment three, considers voyeuristic interest in women’s clothing and bodies. Uramado Miscellany and New Film Introductions provide cultural notices before Moriwaki Hikaru’s The Underground Organization of Neo-Nazism turns toward international political extremism and postwar clandestine organizations. A roundtable remembering the artist Seiu provides an important historical and artistic reflection on erotic illustration and bondage culture. The substantial final narrative, The Prayer of the Female Slave, returns to domination and submission, after which a photographic collection and a selection of illustrations from earlier Uramado issues close the volume. Together these sections show Uramado operating simultaneously as an SM magazine, erotic literary journal, visual archive, popular-sexology forum, and eclectic magazine of abnormal or marginal culture.

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Table of Contents 24 items
  1. The Torture-Device Maker by Tsukumo Jūrō
    Summary

    A long illustrated and photographic erotic narrative about a maker of torture devices, moving between historical Edo settings and modern staged scenes of captivity, bondage, sexual punishment, and masochistic desire.

  2. Hanging Torment by Yoshida Hisashi
    Summary

    A photographic portfolio documents women bound and suspended by rope in staged scenes of physical restraint and torment.

  3. The Devil's Lips by Tanuma Shūo
    Summary

    An illustrated erotic fantasy follows a narrator’s obsessive fascination with Akemi, a strip performer whose body—especially her thighs—becomes the focus of escalating bondage, humiliation, and coercive encounters.

  4. The Cursed Breasts by Odagiri Sō
    Summary

    Set in the Edo period, this illustrated erotic crime narrative depicts a woman’s striking breasts becoming the center of voyeurism, sexual exploitation, public scandal, and official pursuit.

  5. Temptation to Masochism by Kuroda Shirō
    Summary

    An essay on the temptation of masochism examines how submission, humiliation, cruelty, and fascination with authority can emerge in everyday life, drawing on psychological observations, historical anecdotes, reported cases, and fictional or cinematic examples. It also considers the shifting relationship between powerful and vulnerable people and the cultural representation of masochistic desire.

  6. Toraji Should Be Bound by Ari Kyōji
    Summary

    A grotesque supernatural erotic narrative follows Sadako, Toraji, and others through encounters involving uncanny powers, coercion, captivity, bodily violence, and sexualized restraint, with accompanying discussion and imagery from a related film adaptation.

  7. Possessed by Sound by Matsudaira Sōji
    Summary

    A confessional-style male narrative traces the protagonist’s lifelong erotic fixation on sounds, quietness, and sensory impressions, connecting these experiences to childhood, family relationships, desire, shame, and encounters with women.

  8. Memorandum of Inoue Chikugo-no-Kami by Akashi Shioko
    Summary

    A historical erotic narrative about Inoue Chikugo-no-Kami’s persecution of Christians, featuring arrests, interrogations, torture, bondage, and sacrificial religious conflict in an Edo-period setting.

  9. Hungry Eyes Shine on the Stairs by Nagai Takujirō
    Summary

    A crime-and-captivity story follows the pursuit, restraint, interrogation, and punishment of a woman amid stairways, hidden rooms, police involvement, and voyeuristic erotic tension, accompanied by dramatic illustrations.

  10. Strange Tales by Tsube Saburō
    Summary

    A feature examining the aesthetic, grotesque, erotic, and fetishistic dimensions of Edogawa Ranpo’s detective fiction also includes a reader-style vignette about romance involving handcuffs.

  11. The Rough Rope and Black Hair Composition by Yoshida Hisashi
    Summary

    A photographic portfolio presents a woman posed in varied outdoor and studio-style scenes bound with rough rope, emphasizing the visual composition of rope against her body and long black hair.

  12. The Binding Curse of Princess Teru by Shimamoto Haruo
    Summary

    An eight-part illustrated historical supernatural tale follows Princess Teru and other figures through curses, enchanted images, captivity, rope binding, burial, and ritualized punishment in an Edo-period setting.

  13. Shōji and Woman by Fukamori Eiji
    Summary

    A photographic feature presents a male subject posed in elaborate rope restraints against shōji screens and within a traditional Japanese interior, emphasizing the visual composition of staged bondage scenes.

  14. The Strange Island of Female Guardians by Toyoda Ichirō
    Summary

    An illustrated serialized erotic narrative follows female students and a teacher on a remote island where women exercise authoritarian control through military discipline, captivity, rope restraint, and corporal punishment. Its wartime setting and recurring episodes frame female domination as a historical fantasy.

  15. Uramado Town
    Summary

    A miscellany of Uramado Town briefs surveys films, television, crime and prison news, sensational incidents, investigative reports, and other topical cultural items.

  16. Black-Hair Confession by Shima Fuji
    Summary

    Shima Fuji’s serialized confession follows a narrator’s intense fascination with women’s black hair, weaving erotic attraction, family memories, social encounters, and hair-care imagery into a personal narrative.

  17. The World Beneath the Skirt by Ama Tetsurō
    Summary

    An erotic reportage-style feature depicts men observing and exploiting women’s legs, feet, footwear, and sleeping bodies in trains, streets, and other public or semi-public settings, accompanied by explicit illustrations of voyeuristic and fetishistic encounters.

  18. Uramado Miscellany and New Film Introductions by Sunaji Hiroshi
    Summary

    A miscellaneous editorial section combines sensational news and sexual-interest reports with introductions and reviews of contemporary films, including erotic, violent, and historical productions.

  19. The Underground Organization of Neo-Nazism by Moriwaki Hikaru
    Summary

    A serialized fictional narrative follows a violent neo-Nazi underground organization whose recruits undergo ideological indoctrination, coercive training, restraint, torture, and sexualized disciplinary scenes amid conspiratorial political activity.

  20. Roundtable: Remembering the Artist Seiu
    Summary

    A lively roundtable commemorates the artist Seiu through personal recollections of his character, career, paintings, stage work, photography, and influence on Japanese erotic and bondage imagery.

  21. Reader Short Reviews
    Summary

    A reader-review section gathers responses to recent magazine content, assessing erotic paintings, photographs, fiction, and editorial features while reflecting on the publication’s direction and standards.

  22. The Garden of Ecstatic Cruelty 4: Prayer of the Female Slave by Tonomura Megumi
    Summary

    The fourth installment of a serialized sadomasochistic narrative follows women drawn into relationships of captivity, erotic devotion, coercion, punishment, and ritualized restraint, with extended scenes of rope bondage and psychological domination.

  23. Ecstatic-Cruelty Photo Collection
    Summary

    A photographic portfolio presents staged erotic scenes of a woman subjected to rope bondage, immobilization, positional restraint, and suspension in a studio setting.

  24. Selected Illustration Masterpieces from Earlier Uramado Issues
    Summary

    A retrospective portfolio revisits selected illustrated features from earlier Uramado issues, presenting fictional and sensational scenes involving rope bondage, captivity, punishment, supernatural motifs, and historical erotic fantasy.

Highlights

  • The Torture-Device Maker opens the issue with a heavily illustrated narrative about an elderly craftsman devoted to constructing specialized implements of restraint and punishment; the story later resumes after an interruption by other features. (PDF pp. 6–10, 46–53).
  • Hanging Torment, photographed by Yoshida Hisashi, is a stark black-and-white bondage portfolio centered on a nude woman restrained by her wrists overhead. (PDF pp. 11–14).
  • The Devil's Lips combines first-person masochistic fantasy with extensive erotic illustration and establishes the issue's sustained interest in humiliation, fetishism, and sexual submission. (PDF pp. 16–23).
  • The Cursed Breasts uses an Edo-period crime and punishment narrative to connect sexualized bodily imagery with public restraint, criminality, and historical cruelty. (PDF pp. 24–33).
  • Temptation to Masochism by Kuroda Shirō is an extended essay relating cruelty and submission to psychology, hierarchy, sexual behavior, contemporary society, and examples from international cinema. (PDF pp. 34–45).
  • The Rough Rope and Black Hair Composition is an extended photographic sequence emphasizing coarse rope, black hair, kneeling and reclining positions, and the visual aesthetics of restraint. (PDF pp. 95–102).
  • The World Beneath the Skirt, installment three, treats voyeurism, women's clothing, exposure, and the erotic significance of looking beneath conventional dress. (PDF pp. 150–159).
  • The Underground Organization of Neo-Nazism shifts the magazine into international reportage, discussing postwar extremist networks and clandestine political organization. (PDF pp. 166–171).
  • A roundtable remembering the artist Seiu provides retrospective discussion of an important figure in Japanese erotic and punishment imagery and connects contemporary Uramado culture with an earlier artistic lineage. (PDF pp. 172–179).
  • The closing sequence combines the extended narrative The Prayer of the Female Slave with a bondage-photo collection and reproductions of notable illustrations from earlier Uramado issues. (PDF pp. 182–210).

Contributors

Named contributors represented in this issue:

English Translations from This Issue