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Kinbaku Timeline

KINBAKU RESEARCH PLATFORM

Kinbaku Timeline

A chronology of people, publications, images, ideas, and practices documented in the Japanese SM Magazine Archive.

Dates and appearances describe material currently documented in the archive. They should not be read as claims of absolute historical first occurrence.

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647 archive events + 1 curated milestone 1961
1961
March
Historical Milestone Confirmed

Seiu-Style Ways of Tying Women

Itō Seiu

Fuzoku Kitan’s April 1961 special issue moves from historical punishment into a feature explicitly presenting Seiu-style methods of tying women. Its placement makes the relationship between punishment imagery, historical reference, and erotic bondage unusually…

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May
Article / Feature Uramado 12

Leave the Revenge to Me!

Madenokōji Arashi

A serialized SM revenge narrative in which the narrator pursues a violent man who has abducted and abused Mariko, with scenes of coercion, captivity, rope restraint, gagging, and sexualized punishment. The story moves between…

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Article / Feature Gaho Fuzoku Kitan 83–86

The Pleasures of Women's Feet

Banba Takeo

An essay on the erotic appeal of women’s feet surveys fetishistic preferences concerning shape, size, skin, toes, footwear, and grooming, accompanied by photographs illustrating the discussion.

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Article / Feature Gaho Fuzoku Kitan 87–91

The Devilish Writer's Workroom

Kurihashi Shingo

An illustrated erotic fiction depicts the sinister writer Ota Kuro luring or abducting young women to his workroom, where they are confined, subjected to coercive handling, and incorporated into his artistic and sadistic fantasies.

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Article / Feature Uramado 58

Confession: A Fool's Letter

Minamimura Ran

A first-person confessional letter from a 27-year-old man describes his erotic fascination with women and performers, culminating in fantasies of being restrained, humiliated, and dominated by a woman.

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Article / Feature Gaho Fuzoku Kitan 92–98

The Virgin Tana's Five-Day Coming-of-Age Ceremony

Umyōin Ichita

A fictional five-day coming-of-age ceremony for the virgin Tana subjects her to elaborate ritualized ordeals, including restraint, corporal punishment, piercing, branding or burning, dental extraction, and sexualized humiliation before a male audience.

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Article / Feature Uramado 64

The Demonic Visitor Comes Crawling

Hamamatsu Takeshi

A serialized erotic horror narrative follows a couple whose domestic life is invaded by a terrifying, snake-like demonic woman, leading to violent pursuit, captivity, coercion, and repeated bondage and sexual torment.

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Article / Feature Gaho Fuzoku Kitan 109–120

Revenge on Women

Kujira Tarō

This serialized erotic fiction follows Masahiko as he captures, binds, humiliates, and sadistically punishes women, including Mayumi, in a sequence of increasingly severe coercive scenes.

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Article / Feature Gaho Fuzoku Kitan 121–125

The Beautiful Girl Who Is Punished

Igaku Yume Tarō

A serialized erotic SM story follows the punishment and restraint of a beautiful young woman, depicting escalating disciplinary scenes accompanied by dramatic illustrations.

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Article / Feature Uramado 74

Tales of Meiji Women Factory Workers

Higuchi Itsuma

A historical account of women recruited into Meiji-era textile factories, describing exploitative contracts, harsh discipline, overcrowded dormitories, low wages, illness, abuse, escape attempts, and occasional resistance. Illustrated scenes and reported cases emphasize the vulnerability…

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Article / Feature Gaho Fuzoku Kitan 126–130

Reader Plaza

The reader forum presents correspondence, editorial replies, reader reactions, and invitations concerning photographic submissions, models, clubs, and participation in the magazine’s erotic publishing network.

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Article / Feature Uramado 82

Hair and Eyebrow Box

Ōtsuka Masao

A first-person erotic recollection centered on the fascination with women’s black hair, hair oil, styling, and collected hair, including encounters with hairdressing practices and intimate memories of female appearance. The accompanying illustrations reinforce hair…

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Article / Feature Uramado 86

Uramado Down

An editorial miscellany surveying contemporary erotic culture through scandals, crime reports, films, performers, celebrity and beauty imagery, gendered and interracial sexual representations, and commentary on changing public tastes. It also reflects on sensational journalism,…

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Article / Feature Gaho Fuzoku Kitan 138

Editorial Notebook

A full-page mail-order advertising spread promotes devices and publications marketed as aids to marital sex and male sexual difficulties, alongside erotic books, goods, and novelty products.

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Article / Feature Uramado 94

Intoxication with Reversal

Hijiri Ryūzō

An essay examines the psychological and literary appeal of role reversal, especially the inversion of dominance and submission, through examples from Japanese erotic and mystery fiction.

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Article / Feature Uramado 99

Warehouse Interior

Yoshida Hisashi

A photographic portfolio stages a restrained woman amid stacked boxes and warehouse interiors, emphasizing rope bondage, captivity, and confined postures.

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Article / Feature Uramado 115

Floor Stand

Fukamori Eiji

A photographic series depicts a woman bound in varied positions around a floor lamp, using the domestic object as a central restraint apparatus and visual prop.

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Article / Feature Uramado 134

Temptation into Masochism

Kuroda Shirō

An essay examines the psychological and cultural origins of masochistic desire through examples involving gender, social hierarchy, sexual fantasy, and the symbolic relationship between women, men, horses, and restraint. It also discusses changing social…

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Article / Feature Uramado 144

Evil Woman

Akashi Shio

A serialized erotic narrative portrays an “evil woman” whose secret desires, manipulation, and cruel sexual relationships produce escalating scenes of domination, betrayal, and psychological torment.

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Article / Feature Uramado 170

On Asao's Snake Torture

Koma Katsuhiko

A historical and critical investigation of the alleged Asao snake-torture case, reconstructing its Meiji-era criminal and sexual-cultural context while questioning the accuracy of sensational accounts and later fictional or cinematic embellishments.

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Article / Feature Uramado 174

Uramado Information

A miscellaneous information department combining reader letters and personal reports with editorial notices, urban sexual-culture observations, photographic features, and other community-oriented material from the magazine’s readership and publishing network.

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Article / Feature Uramado 203

Pleasure-Torture Photo Collection

A photographic feature presents staged scenes of women bound with rope in various floor-based and restrained positions, emphasizing visual spectacle, physical vulnerability, and elaborate rope arrangements.

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June
Magazine Issue Gaho Fuzoku Kitan

July 1961

The July 1961 issue of Gaho Fuzoku Kitan is organized around an unusually sustained visual exploration of bondage, erotic punishment, female submission, and sadomasochistic role reversal. The cover foregrounds male erotic torment, while the…

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Magazine Issue Fuzoku Kitan

July 1961

The July 1961 issue of Fuzoku Kitan is organized around the feature theme Women and Men Subjected to Torment, examining erotic torment, bondage, humiliation, punishment, and relations between sadistic and masochistic desire. The issue…

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Article / Feature Fuzoku Kitan

Continued: Complete Cross-Dressing

Umahashi Jiro

This photographic feature explores the shame and exposure of the bound back through posed rope restraints, kneeling and standing positions, and views that emphasize bodily vulnerability.

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Article / Feature Fuzoku Kitan

From the Letters of a Masochist

Tani Jitta

A photographic feature presents a range of staged rope-bondage postures, including floor-bound, standing, outdoor, and suspended arrangements, emphasizing the visual drama and bodily strain of restraint.

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Article / Feature Fuzoku Kitan

The Ecology of a First Meeting

Kabiya Kazuhiko

A curated portfolio of Furumasa Eisei’s erotic illustrations depicts women subjected to elaborate rope bondage, confinement, and coercive torment in stylized domestic and fantastical scenes.

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Article / Feature Fuzoku Kitan

Wanda of the High Heels

This photographic study presents a woman standing while tightly bound and suspended by one leg, emphasizing the instability and vulnerability of the captured-leg pose.

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Article / Feature Gaho Fuzoku Kitan 3–6

Women Tormented by Fire and Water

A photographic feature depicts women bound with rope and exposed in rugged outdoor settings, especially among rocks and rushing seawater, under the motif of torment by fire and water.

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Article / Feature Fuzoku Kitan

Red High Heels

Tagami Keiko

Okumura Sekio discusses people who experience sexual excitement through being tormented by the opposite sex, reflecting on sadistic and masochistic tendencies as psychological and social phenomena.

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Article / Feature Fuzoku Kitan 4

Melancholy by the Pond

“Melancholy by the Pond” is a staged outdoor bondage photograph showing a restrained woman posed beside a pond amid foliage, combining landscape melancholy with rope restraint.

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Article / Feature Gaho Fuzoku Kitan 10

Rope Duet

A photographic rope-bondage duet depicts two women restrained together in contrasting light and dark lingerie, emphasizing their intertwined poses and the visual contrast between them.

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Article / Feature Fuzoku Kitan 5–7

Bound in the Garden

A photographic feature depicts a woman tightly rope-bound outdoors in a garden, shown in several crouching and kneeling positions amid foliage and framed through themes of shame, pain, and endurance.

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Article / Feature Gaho Fuzoku Kitan 11–12

Disordered Bedclothes

A sequence of staged photographs shows a woman in striped nightclothes bound and tangled in rope while lying and shifting through constrained floor positions.

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Article / Feature Fuzoku Kitan 8

The Captured-Leg Pose

This photographic study presents a woman standing while tightly bound and suspended by one leg, emphasizing the instability and vulnerability of the captured-leg pose.

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Article / Feature Gaho Fuzoku Kitan 14

Pulled by the Neck

Photographs depict a woman restrained around the neck and body with ropes or straps, including poses bent around a chair-like frame and pulled into uncomfortable positions.

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Article / Feature Gaho Fuzoku Kitan 15–16

On the Rocks

A photographic portfolio depicts a woman bound with rope while reclining and posing among large rocks in an outdoor setting.

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Article / Feature Fuzoku Kitan 9–10

Tied to a Pillar

A series of photographs shows a woman quietly enduring while seated and contorted against a wooden pillar, with ropes securing her torso, limbs, and thighs.

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Article / Feature Gaho Fuzoku Kitan 17–18

Flat-Cord Binding

This visual feature presents flat-cord binding in staged photographs, showing rope wrapped around the model’s torso and limbs in several restrained poses.

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Article / Feature Fuzoku Kitan 11–12

The Captive Nude

A photographic feature presents a nude woman bound with rope in and around a domestic interior, emphasizing captivity, exposure, and the visual spectacle of restraint.

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Article / Feature Fuzoku Kitan 13–14

Foot-Torment Poses

A sequence of staged photographs demonstrates rope-bound “foot-torment” poses, repeatedly immobilizing and displaying the model’s feet and legs in varied positions.

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Article / Feature Gaho Fuzoku Kitan 19–20

Outdoor Bondage

An outdoor bondage portfolio shows a woman restrained with rope among rocks and vegetation, emphasizing varied body positions and natural surroundings.

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Article / Feature Gaho Fuzoku Kitan 21–22

Naked Shame

A photographic feature depicts a nude woman experiencing embarrassment and vulnerability in a staged nighttime bondage setting, with the accompanying text emphasizing the shame of nudity and the discomfort of rope restraint.

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Article / Feature Gaho Fuzoku Kitan 23–24

T-Shaped

This photographic feature presents a woman bound in T-shaped and other rigid poses against a pole, using rope placement and bodily positioning to create images of disciplined female restraint.

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Article / Feature Gaho Fuzoku Kitan 27

A State of Intoxication

A staged photographic sequence explores an altered, ecstatic state through a woman bound with rope around her neck, arms, torso, and legs, emphasizing bodily restriction and psychological surrender.

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Article / Feature Gaho Fuzoku Kitan 28

Pose of Ecstatic Torment

A photographic feature presents a woman in several posed states of apparent ecstatic torment, with cloth or rope arranged around her torso and legs to create restrained, stylized compositions.

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Article / Feature Fuzoku Kitan 15–17

Shame of the Back

This photographic feature explores the shame and exposure of the bound back through posed rope restraints, kneeling and standing positions, and views that emphasize bodily vulnerability.

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Article / Feature Gaho Fuzoku Kitan 29–30

Tanuki Binding

This illustrated feature demonstrates “tanuki binding,” showing a woman’s wrists and ankles secured together and the resulting constrained positions in a sequence of rope-binding photographs.

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Article / Feature Fuzoku Kitan 61

Women and Men Subjected to Torment

Okumura Sekio

Okumura Sekio discusses people who experience sexual excitement through being tormented by the opposite sex, reflecting on sadistic and masochistic tendencies as psychological and social phenomena.

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Article / Feature Gaho Fuzoku Kitan 31–32

Three Captivating Bindings

A portfolio of three staged rope-binding arrangements shows a woman restrained in standing and leaning poses against an interior architectural setting, emphasizing varied forms of kinbaku display.

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Article / Feature Gaho Fuzoku Kitan 35–36

Quiet Punishment

Photographs present scenes of women imposing quiet, controlled punishments through bodily positioning and restraint.

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Article / Feature Gaho Fuzoku Kitan 37–39

Women's Wrestling

A photographic portfolio stages women wrestling, grappling, and overpowering one another in a series of physically charged encounters.

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Article / Feature Fuzoku Kitan 19–20

Cast Down in the Grass

A photographic sequence depicts women bound with rope and left in grassy outdoor settings, emphasizing exposed bodies, immobilized poses, and the surrounding landscape.

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