The World of the Chair

This visual feature presents a woman restrained to a chair in a range of folded, seated, and contorted positions, turning the chair into the central bondage apparatus.

Both Hands Suspended

A photographic feature depicts women subjected to rope restraint and suspension-like poses, including raised-arm bindings, bound legs, and restrictive postures in an interior setting.

Suspended Doll

A photographic feature presents a woman bound and manipulated like a marionette, including rope suspension and strained, exposed poses.

Five Captive Poses

This visual feature documents five different captive poses in which a woman is tightly rope-bound and placed in controlled kneeling, seated, and standing positions.

White Skin of Pleasurable Cruelty

A photographic feature portraying a woman bound with rope in varied seated, standing, and reclining poses, framing restraint as an aestheticized experience of pleasurable cruelty.

Blindfolded Woman

A photographic feature depicts a bound woman wearing a blindfold, emphasizing restricted sight, enforced stillness, and the sensory isolation of rope bondage.

Overflowing Enchanted Beauty

A visual feature presenting images of a woman tightly rope-bound in composed, reclining poses that emphasize physical beauty emerging through restraint.

The Posture of the Arms Behind the Back

A photographic study of “arms-behind-the-back” restraint, showing multiple rope-bound postures and the formal variations produced by different ties and body positions.

A Certain Pose

A photographic tableau depicts a woman tightly rope-bound and laid among straw and vegetation, accompanied by poetic Japanese prose describing her abandoned, immobilized pose.

Folded in Two

A photographic feature presents women bound with rope in tightly folded, contorted positions, accompanied by commentary framing restraint and forced folding as an erotic practice.

Cruelty in a Ruined Hut

Ejima Hidehisa

An erotic illustration depicts a woman stripped and tied with her arms behind her to a post in a dilapidated hut, emphasizing an atmosphere of cruelty and captivity.

Gorgeous Nude

This photographic portfolio presents a nude woman in stylized seated, reclining, and kneeling poses, with several images incorporating rope restraint and perforated blindfolds, alongside lyrical text celebrating the body.

The Needle Woman’s Ordeal

Ejima Hidehisa

An erotic illustration portrays a young seamstress in an abandoned sewing room, with her clothing opened, body restrained by rope, and mouth secured with a gag.

Kannon of the Female Body

A staged photographic feature presents a nude, partially restrained woman in cross-legged and kneeling poses, framing the female body through the devotional metaphor of a Kannon-like Buddhist figure.

Winch Suspension

Ejima Hidehisa

An erotic torture illustration depicts a nude woman folded, bound with chains, and hoisted by a winch above a large boiling cauldron.

Pulley Torment

Ejima Hidehisa

An erotic torture illustration shows a woman tied to a stake while a pulley rope attached to her hair pulls her upward, producing an agonizing suspension and splitting effect.

The Narcissist in the Mirror

A photographic study of a woman seated before a mirror, presenting self-regard and erotic self-observation through lingerie and reflective imagery.

August Issue Title Page

The title page announces the August issue of Fuzoku Kitan as a special feature on the fantastic, supernatural, strange, and cruel, accompanied by an erotic illustration of a couple.

Duet of White Skin

A photographic duet centered on a pale-skinned woman and her mirror image, moving from posed lingerie scenes into imagery of gagging and rope restraint.

The Reality of Lesbians

Ōtachi Kinji

A pseudo-sexological survey of lesbian identity and relationships, combining generalized claims about women’s same-sex desire with reported cases involving schoolgirls, married women, prisoners, and women who later marry men or become pregnant.

Nude Female Christ

A photographic feature depicts a nude woman bound in crucifixion-like poses, explicitly linking rope restraint with the imagery of Christ’s Passion and religious sacrifice.

Tormented with Bamboo

A photographic feature depicts a woman restrained and tormented with bamboo poles, using rope ties and forced positions to stage scenes of domination.

Techniques of Lesbian Love in East and West

Kabiya Kazuhiko

An erotic reportage and advice feature comparing lesbian relationships in East and West through interviews, case histories, photographs, and descriptions of affectionate and sexual techniques, including kissing, touching, breast stimulation, and role dynamics.

Poses on a Long Chair

A photographic sequence demonstrates restrained M-shaped poses on a long chair, with the subject tied by rope in varied seated and reclining positions.

The Woman Who Was Thrown Down

This photographic vignette shows a rope-bound woman thrown or forced down onto furniture and the floor, emphasizing helpless bodily positions and captivity.

Writhing Female Body

A photographic feature portraying a nude woman in a series of rope-bound poses, including restraint against a railing and contorted positions indoors and outdoors.

The Rope of Abuse

Tagami Keiko

An erotic illustration depicts a nude woman bound with rope in a painful, degrading scene of imposed restraint and abuse.

Buried Alive

Oda Toshimi

An erotic illustration presents a captivity fantasy in which a gagged and rope-bound woman is confined in a pit while a man prepares to bury her alive.

Wheel Binding

Oda Toshimi

A staged kinbaku scene depicts a nude woman bound to a rotating wheel, with the caption emphasizing that she turns as the wheel’s parts interlock.

Embracing a Stone

Ema Miku

A nude woman is bound against a corner pillar while forced to embrace a large stone, presenting a deliberately harsh restraint tableau.

Lesbienne

Pierre Robis

An illustrated dialogue and advice section presenting lesbian romance and intimacy through conversational scenarios, emphasizing emotional attachment, secrecy, kissing, caressing, and other forms of physical affection between women.

Rice-Container Holder

Ema Miku

A staged bondage image shows a woman tied to a tree and made to support rice-cooking containers for outdoor飯盒炊飯.

Bamboo Torment

Oda Toshimi

An erotic illustration depicts a person tightly bound to bamboo, immobilized as part of a torment scene.

Invitation to Lesbos

Kawashima Hayato

An essay surveys representations and experiences of female same-sex desire, moving from Sappho and Lesbos through literary works and modern cultural examples, with an accompanying erotic image.

Feast of the Natives

Oda Toshimi

An erotic fantasy illustration portrays a beautiful captive seized by dancing “natives” who anticipate consuming their prey.

Sunflower

Nanbara Kiyoshi

A grotesque erotic story follows Yumi and Kazuma through escalating coercion, sadistic violence, murder, and the use of a corpse to nourish a sunflower blooming in midsummer.

Wind-Chime Suspension

Tagami Keiko

An erotic illustration depicts a woman bound and suspended from an iron ring, likened in the caption to a summer wind chime.

Pillar Binding

A photographic feature demonstrates pillar binding, showing a nude woman secured with rope to a vertical post in several restrained poses.

Lattice Torment

A photographic sequence presents lattice torment, depicting a woman tied with rope to a barred lattice or window frame in seated, kneeling, reclining, and suspended-looking positions.

A History of Sexual Curiosities in the Meiji Period, Part 7

Shinkai Yonetarō

The seventh installment compiles sensational Meiji-era reports of sexual and domestic curiosities, including apparent poltergeist phenomena, poison murder, staged or attempted double suicide, and violent encounters involving couples and strangers.

Pictures of Unusual Torment

This visual feature presents an unusual bondage tableau in which a woman is tightly rope-bound on the floor in a contorted, highly restrictive pose.

Prisoner of the Chair

A photographic bondage feature depicting a woman tied to a chair in several restrained poses, accompanied by short poetic text about her helplessness and sensual distress.

Sadistic Pose

A visual feature titled “Sadistic Pose” presents a woman bound with rope against furniture and a tree in staged scenes emphasizing constrained posture and dominance.

How I Became Interested in Panties

Hoshiyama Aoi

An autobiographical account traces the author’s fascination with women’s panties from childhood curiosity through adolescent experimentation and adult fetishistic desire, including the role of secrecy, domestic life, and purchasing lingerie.

Suspended from a Kimono Rack

A photographic sequence shows a woman tied and suspended by ropes from a kimono rack, including inverted and elevated poses that foreground the mechanics of suspension bondage.

Quiet Torment

A photographic feature depicts a woman quietly bound to a chair in a domestic interior, awaiting further punishment or restraint.

Garden Melancholy

This photographic feature stages a melancholy outdoor bondage scene in which a woman is rope-bound among garden stones and foliage, with several seated and reclining poses.

Supernatural Transformations and Sex

Misaki Mitsuo

This cultural essay examines supernatural transformations and sexual symbolism in Chinese and Japanese folklore, discussing yokai, ghosts, spirits, fire phenomena, and the historical anxieties projected onto gender and sexuality.

Suspended Woman

A photographic feature presents a woman tied in unusual elevated and contorted positions, emphasizing suspension, forced posture, and the visual spectacle of rope restraint.

The Dead Spirit That Possessed a Young Woman

Iwamura Junkichi

A first-person supernatural narrative recounts a young woman’s apparent possession by the spirit of a dead girl, with family members consulting a fortune-teller and struggling to distinguish illness, dreams, and haunting.

Women Who Wear Corsets

A historical and visual survey of corsets, tracing their use in Western fashion and the ideal of the tightly shaped female body through illustrated examples and commentary on their restrictive effects.

The Man Summoned by the Vengeful Spirit of a Woman He Killed

Furukawa Takashi

A sensational account follows a man haunted and sexually manipulated by the vengeful spirit of a woman he murdered, blending police investigation, guilt, possession, and violent retribution.

Women Who Constrict the Breasts

A visual-historical feature on women’s breasts being compressed, manipulated, or exposed, combining erotic illustrations and photographic imagery with references to changing ideals of the female body and maternal sexuality.

Song of Lesbos

An illustrated erotic song or narrative set in a pastoral world, depicting intimate encounters between women and presenting female same-sex desire through sequential artwork and lyrical Japanese text.

Tales of Supernatural Transformations from Across Japan

Sengoku Sentarō

This collection presents folkloric tales from across Japan in which ghosts, animal spirits, and other supernatural beings transform, seduce, pursue, or punish human characters.

Women Whose Buttocks Are Targeted

A visual-historical feature compiling literary illustrations, prints, and other images depicting women being targeted, exposed, or punished through blows and attention directed at the buttocks. Captions connect the scenes to European novels, prints, and…

The Man and Woman Avenged by a Ghost

Shinoda Fujimi

Set in the Edo period, this illustrated supernatural narrative follows a man and woman whose encounters with a murdered woman’s ghost lead to erotic coercion, bodily terror, revenge, and eventual punishment.

Women Subjected to Enemas

A visual feature surveying depictions of women subjected to enemas, combining historical illustrations, staged scenes, and captions that frame the practice within medicalized and punitive erotic imagery.

Women Who Oppress Men

A photographic and illustrated feature portraying women physically overpowering, restraining, and disciplining men in staged scenes, including bondage and humiliating positional reversals.

Dressing-Room Conversations

Umyōin Itta

An observational essay about sexually suggestive and unusual behavior in public dressing rooms and toilets, including voyeurism, urination-related conduct, and the psychological motives attributed to such acts.

Women Wearing Boots

A historical visual feature tracing women’s use of boots through paintings, sculpture, photographs, theatrical costume, and modern fashion imagery.

Strange Tales of Pearl-Diving Women

Kashihara Shōzō

An erotic adventure narrative set on a remote island, where a male visitor encounters pearl-diving women and becomes involved in increasingly coercive and sexually charged encounters; the story is accompanied by erotic illustrations.

Women Wearing Trousers

A pictorial history of women wearing trousers, ranging from historical and theatrical cross-dressing to actresses, performers, and contemporary fashion models.

The Cutting of a Boy’s Buttocks: Noguchi Otokosaburō

Shinkai Yonetarō

A historical crime report on Noguchi Otokosaburō, recounting a notorious case involving the mutilation and murder of a boy and tracing the suspect’s later sexual obsessions, relationships, deceptions, investigation, and trial.

Women on Horseback

A photographic feature presenting women riding horses in outdoor settings, with attention to riding attire, posture, and the spectacle of female equestrianism.

The Eternal Fountain of Beauty and Youth

Leopold von Sacher-Masoch

A serialized historical erotic tale by Leopold von Sacher-Masoch depicting aristocratic intrigue, forbidden desire, captivity, coercion, and sadomasochistic domination within a decadent household, with imprisonment, punishment, and threatened execution shaping the narrative.

Readers’ Salon

The Readers’ Salon presents correspondence between readers and the editors, including reactions to the magazine’s imagery and special issues, requests for photographs and illustrations, personal accounts, and editorial replies about submissions and publication plans.

Publication Notices and Colophon

Publication notices advertise current and forthcoming Fuzoku Kitan special issues and related illustrated volumes, listing their themes and contents alongside publisher, pricing, ordering, and colophon information.

Before the Five-Tiered Stone Pagoda

A staged erotic photograph depicts a woman bound and posed before a five-tiered stone pagoda in a wooded outdoor setting.

In the Waterside Pavilion

A staged erotic photograph shows a woman restrained with rope beside a small waterside pavilion, with the surrounding water and rustic architecture forming the scene.

Fallen Flower in Bondage

A staged erotic photograph presents a woman tightly rope-bound and posed on the floor in a prone, contorted position, evoking the feature’s “fallen flower” motif.

With Her Back to the Bamboo Blind

A staged erotic photograph depicts a partially undressed woman posed with her back against a bamboo blind, with rope and traditional domestic surroundings contributing to the scene’s restrained atmosphere.

The Corset Torments a Woman’s Flesh

An illustrated feature presents women whose bodies are constrained and shaped by corsets, framing corsetry as both a clothing fetish and a source of physical torment.

Bound to a Waterwheel

A photographic sequence depicts a woman bound to and maneuvering around a large waterwheel in a dark outdoor setting, emphasizing elaborate rope restraint and staged bodily struggle.

Water Torment

A photographic bondage vignette depicts a woman restrained and subjected to water torment, emphasizing physical vulnerability and sensory distress.

Prisoner of the Terrace

This photographic feature presents a woman bound to the railings of a terrace or mountain-lodge structure in a series of staged outdoor restraint scenes.

Bound on the Rocks

A photographic sequence shows a woman tightly rope-bound on rocks beside a mountain stream, with accompanying text describing her exposure to the cold, insects, and rough natural surroundings.

The Captive

A photographic feature portrays a woman as a captive, bound with rope to a wooden post or tree in several poses and presented through evocative captions about fate, helplessness, and feminine vulnerability.

A Woman’s Quartet

A photographic sequence presents four forms of female rope restraint, showing a woman bound while standing, sitting, crouching, and lying in carefully arranged positions.