Fuzoku Kitan

October 1961

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Cover of Fuzoku Kitan, October 1961

Issue Details

PDF pages
104

Summary

The October 1961 issue of Fuzoku Kitan is built around an unusually explicit special feature on same-sex desire, framed by extensive bondage photography, illustrated restraint fantasies, imported Western fetish material, erotic fiction, and reader correspondence. The opening gravure, The World of Bewitching Beauty: Women and Men, presents a sequence of staged female bondage photographs in traditional interiors and garden settings, emphasizing folded-body ties, post restraints, rope harnesses, tights, schoolgirl imagery, and architectural settings such as verandas and pillars. This is followed by Seven Scenes of Vehicle Torment, an illustrated fantasy portfolio that transfers bound women into amusement rides, helicopters, automobiles, boats, trucks, and cable cars, and then by a short Western photographic sequence of female domination.

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The principal textual section is the special feature Illustrated Desires of Men with Men and Women with Women. Its opening essay argues against treating homosexuality simply as a violation of nature and introduces a series of contributions examining same-sex attraction from literary, psychological, and experiential perspectives. Shishimura Yutaka’s Under the Fig Tree develops a male homosexual narrative through dialogue and illustration. Hanada Naki’s My Love Is Over turns to female same-sex desire and emotional attachment, while Kabiya Kazuhiko’s The Spiritual Love of Lesbos and Techniques of Love discusses lesbian relationships more analytically. Together these pieces make homosexuality and lesbianism central subjects rather than incidental erotic motifs, a distinctive editorial choice for an early-1960s Japanese popular erotic magazine.

The issue then moves into more familiar Fuzoku Kitan territory. The illustrated feature Female Doctor Forced into Bondage uses imported Western bondage drawings and commentary, while The House of Iris and the Perverse Prostitute Belvera discusses European sadomasochistic culture through a mixture of reportage, narrative, and photographic material. A substantial later section resumes the serialized Wandering in Ecstatic Torment with Part 6, The Abnormal Crowd, an autobiographical-style narrative structured around sexual encounters, shame, compulsion, and psychiatric or medicalized interpretations of desire.

The closing Reader Salon again makes the magazine a participatory forum, printing reader questions and personal experiences concerning masturbation, cross-dressing, bondage, homosexuality, fetishism, and sexual technique. Publisher pages then advertise back issues, photographs, erotic books, correspondence services, and reader submissions. Overall, the issue is particularly significant for placing male and female homosexuality within the same editorial framework as bondage, fetishism, sadomasochism, and reader testimony, revealing the breadth of sexual categories being gathered under Fuzoku Kitan’s developing discourse of abnormal or unconventional desire.

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Table of Contents 14 items
  1. The World of Bewitching Beauty: Women and Men
    Gravure
    Summary

    A photographic portfolio presents staged rope-binding scenes featuring women restrained against posts, railings, windows, and floors in domestic and garden-like settings, with captions emphasizing varied knots, positions, clothing, and expressions of distress or submission.

  2. Seven Scenes of Vehicle Torment by Furumasa Hideo
    Pictorial
    Summary

    An illustrated portfolio presents seven sensational scenes of women subjected to bondage, restraint, and perilous treatment involving aircraft, railways, watercraft, cables, rocks, and other vehicles or machines.

  3. Play Girls by Ema Mieko
    Photographic feature
    Summary

    An erotic visual feature presents staged “play” scenes involving women, emphasizing theatrical erotic tableaux and varied forms of sexualized restraint and submission.

  4. Homosexuality Is Not a Rebellion Against Nature
    51
    Summary

    This essay argues that homosexual desire is not a rebellion against nature, discussing male and female same-sex relationships through historical examples, social observation, and sexual-psychological interpretation.

  5. Under the Fig Tree by Shishimura Yutaka
    54
    Summary

    An illustrated erotic story follows Yumi and Chisato from an intense attraction beneath a fig tree into secret meetings, sexual experimentation, possessiveness, and increasingly coercive intimacy in both rural and urban settings.

  6. My Love Is Over by Hanada Naki
    70
    Summary

    After her sister’s death, a woman discovers the sister’s secret same-sex love through her writings and becomes entangled in a grief-driven, obsessive relationship marked by forbidden desire, domination, restraint, and bodily marking.

  7. The Spiritual Love of Lesbos and Techniques of Love by Kabiya Kazuhiko
    82
    Summary

    An essay on female same-sex desire that combines sexual-psychological discussion, case-based reflections, and practical advice about intimacy between women.

  8. Female Doctor Forced into Bondage
    99
    Summary

    An illustrated captivity narrative in which a female doctor is abducted, forcibly restrained, and subjected to coercive treatment by criminals before attempting to escape.

  9. The House of Iris and the Perverse Prostitute Belvera by Tani Takata
    107
    Summary

    A transnational erotic reportage and visual feature touring the household of Iris and the “perverse” married couple Belvera, presenting staged bondage, role reversal, and dominance scenes among European BDSM participants.

  10. Wandering in Ecstatic Torment, Part 6: The Abnormal Crowd by Aoyama Mieyoshi
    170
    Summary

    Part 6 of a serialized erotic novel follows a young artist and various women through increasingly elaborate bondage, domination, captivity, and fetish encounters, framed by a deliberately sensational “abnormal crowd” motif.

  11. Reader Salon
    183
    Summary

    The Reader Salon presents correspondence, personal accounts, requests, and reader-submitted material concerning erotic interests, bondage fantasies, fetish imagery, and related publications, emphasizing interaction between readers and the magazine.

  12. Fuzoku Kitan: Notices
    188
    Summary

    A notices and back-issue section advertises available issues, illustrated and photographic collections, erotic fiction, mail-order materials, and forthcoming publications, functioning as a catalog and distribution notice for the magazine’s specialist readership.

  13. Agency Photograph List
    Summary

    An agency catalogue lists numerous erotic photographs and themed visual sets, including bound and posed women and men, with coded titles, prices, and sample images.

  14. Publisher Information and Call for Reader Submissions
    194
    Summary

    A publisher notice solicits reader submissions, including personal experiences, reportage, fiction, cartoons, photographs, and editorial or planning proposals, thereby inviting readers to participate in producing the magazine.

Highlights

  • The opening gravure The World of Bewitching Beauty: Women and Men presents a long sequence of Japanese bondage photography using verandas, pillars, tatami rooms, gardens, tights, schoolgirl dress, and compact folded-body restraints. (PDF pp. 4–22).
  • Seven Scenes of Vehicle Torment transforms modern transportation and amusement machinery into bondage scenarios, with women restrained on rides, helicopters, automobiles, boats, trucks, and cable cars. (PDF pp. 23–31).
  • The issue's central special feature, Illustrated Desires of Men with Men and Women with Women, explicitly treats homosexuality and lesbianism as major subjects of erotic and psychological discussion rather than peripheral curiosities. (PDF pp. 35–64).
  • Under the Fig Tree combines male homosexual fiction with illustrations and extended dialogue, making male-male desire one of the issue's principal narrative subjects. (PDF pp. 38–48).
  • My Love Is Over explores female same-sex attachment through an extended narrative of attraction, intimacy, jealousy, and emotional separation. (PDF pp. 49–56).
  • The Spiritual Love of Lesbos and Techniques of Love shifts from fiction toward a quasi-sexological discussion of lesbian identity, relationships, sexuality, and social experience. (PDF pp. 57–64).
  • Female Doctor Forced into Bondage reproduces Western fetish illustrations centered on women binding, suspending, tormenting, and dominating other women. (PDF pp. 65–72).
  • The House of Iris and the Perverse Prostitute Belvera uses European material to discuss sadomasochistic prostitution, female domination, and continental M/S culture. (PDF pp. 73–79).
  • Wandering in Ecstatic Torment, Part 6: The Abnormal Crowd is a substantial later first-person narrative concerned with compulsive sexuality, encounters with strangers, shame, memory, and attempts to understand abnormal desire. (PDF pp. 80–92).
  • Reader Salon collects questions and testimonies about homosexuality, masturbation, cross-dressing, bondage, sexual techniques, and fetish interests, documenting the magazine's active reader community. (PDF pp. 93–97).

Contributors

Named contributors represented in this issue: