Fuzoku Kitan

An essay examines the psychological world of masochism by contrasting passive and active sexual roles, discussing suffering, pleasure, gendered expectations, and the interpersonal search for fulfillment.

A four-part wartime narrative collection depicts military interrogations, captivity, torture, sexual violence, and brutal punishment inflicted on women and men amid the violence of war.

An illustrated erotic narrative follows the coercive domination and abuse of a woman, combining captivity, rope bondage, forced exposure, physical punishment, and sadistic violence in a dramatic fictional setting.

A serialized erotic-SM story follows a group of men and women through abduction, confinement, interrogation, and elaborate punishments involving ropes, restraints, gagging, enemas, and humiliation. The narrative repeatedly stages coercive encounters between captors and captives in domestic and institutional settings.

A historical erotic fiction presents a violent “red-and-white” contest within a feudal household, in which women are captured, stripped, bound, threatened with swords, and subjected to ritualized punishment and sexual humiliation. Illustrated scenes emphasize the spectacle of restrained bodies, armed domination, and sadistic household conflict.

An illustrated eight-scene feature presents corset-centered fetish imagery, including historical and contemporary visual depictions of restrictive garments, protective corsets, and staged scenes of wearing and tightening them.

A sensational erotic fiction follows Miekichi and other characters through a nocturnal urban underworld of deception, captivity, forced restraint, punishment, and escalating coercive sexual encounters involving ropes, gags, and other forms of bondage.

Yayoi Mishima recounts a personal half-life shaped by wearing women's clothing, describing childhood and adult experiences of feminine presentation, social secrecy, and the emotional significance of cross-dressing.

This reader-salon section presents letters and editorial replies about preferred erotic photographs, models, poses, bondage imagery, female domination, and other reader interests. It also includes requests for model information and contributions, showing how readers helped shape the magazine’s visual and participatory culture.

A multi-page illustrated portfolio titled “The Strange World” presents erotic fantasy scenes of women subjected to elaborate restraints, captivity, and punitive or coercive situations, including rope bondage, suspension-like setups, and theatrical tableaux.

A photographic and illustrated feature stages women restrained outdoors on a snow-covered terrace, emphasizing the contrast between winter scenery and erotic bondage tableaux.

Photographs depict women bound and lying or reclining in snow, presenting winter restraint scenes as a visual erotic portfolio.

This visual feature shows a woman thrown or positioned on the snow while restrained, with accompanying text highlighting the physical cold and danger of prolonged exposure.

A staged photographic tableau presents a glamorous woman enacting ritual seppuku, combining eroticized nudity, a blade, and theatrical distress.

A school-uniformed woman is photographed bound to a chair in a series of staged restraint and punishment poses, emphasizing the tension between controlled posture and apparent distress.

A photographic sequence depicts a nude woman undergoing elaborate rope bondage in seated, reclining, and floor-bound positions, highlighting both restraint technique and eroticized vulnerability.

A photographic feature presents a languorous woman bound with rope in a series of seated and kneeling poses, emphasizing her restrained posture and relaxed, sensual expression.

A photographic study shows a bound woman rolled onto her side and back, highlighting the body’s contorted positioning within an extended rope restraint.

This staged photographic feature places a woman in rope bondage within an Edo-style architectural setting, using an old-fashioned lantern, traditional décor, and theatrical posing to evoke historical Japanese atmosphere.

A staged photographic sequence presents a nude woman bound on and around a table, emphasizing rope restraint, confined poses, and the visual spectacle of immobilization.

This photographic feature demonstrates rope binding focused on the breasts and upper torso, showing several tightly restrained poses and close views of the bondage arrangement.

A staged sequence depicts a woman restrained on a patterned mattress while her legs and feet are bound, pulled, and subjected to painful pressure as part of a punishment scenario.

A photographic feature presents a woman in a series of tightly rope-bound poses, emphasizing the visual arrangement of restraint across the body and limbs.

A photographic feature depicts a woman bound in an inverted posture, with captions framing the physical sensations and disorientation associated with being held upside down.

The ninth installment of a serialized letter feature presenting a correspondent’s masochistic experiences and reflections.

A presentation of Leopold von Sacher-Masoch’s classic erotic narrative about desire, fur fetishism, and submission within a dominant–submissive relationship.

A first-person notebook-style account by an anonymous Mr. K documenting self-directed masochistic practices and experiences.

A masochistic erotic piece centered on fascination with a “golden” feast or bodily fetish, presented within the issue’s special feature on the masochist world.

A salon-style community section gathering material and exchanges related to masochistic interests and readers’ shared concerns.

A literary treatment of alluring, androgynous young men that foregrounds the eroticization of male beauty and same-sex attraction.

A text feature centered on a one-day nurse role or fantasy, presented within the issue’s confessional and experiential material.

A text feature devoted to a social or editorial space for enthusiasts of female cross-dressing.