Uramado

Part 2 continues the serialized erotic thriller in which Mika is confined in a hidden “dream castle” on Panorama Island and subjected to elaborate bondage, gagging, sensory restriction, and coercive psychological conditioning by Q and Shiko as resistance and escape attempts unfold.

This serialized erotic fairy tale follows Kätchen, a poor young woman mistreated by her stepmother, whose encounters with angels, magical doors, and royal figures lead to repeated tests of honesty, confinement, binding, and punishment before eventual recognition and reward.

Mizuo Kyū’s essay theorizes “body-impact” masochism through the contrast between classical ideals and modern popular representations, emphasizing physical punishment, slapping, whipping, and the reversal of conventional gender roles. The accompanying illustrations depict women physically dominating or striking men in staged erotic scenes.

A case-record-style erotic narrative follows a man’s encounters with women whose refusals, resistance, and shifting sexual power relations expose patterns of domination, submission, humiliation, fetishism, and psychological compulsion. The article presents these episodes as material for interpreting postwar SM behavior and erotic psychology.

Morishita Takashige surveys modern masochistic culture through television dramas, films, photography, popular music, and related visual forms, comparing Japanese and Western representations of female vulnerability, captivity, discipline, fetishized bodies, and eroticized suffering. The essay uses photographic examples and media criticism to connect these representations with changing sexual psychology and postwar cultural attitudes.

An illustrated reportage on postwar urban erotic life, recounting encounters, observations, and sexualized scenes involving women and men in Tokyo’s streets, entertainment districts, parks, and other public or semi-public settings.

A recurring Uramado reading guide that introduces and excerpts notable material from earlier issues, including erotic narratives, bondage scenes, practical material, and illustrated features, alongside publication and ordering information.

A serialized historical erotic narrative set in a samurai household follows the coercive bondage, punishment, jealousy, and eventual violent death surrounding the young servant Shōhei and his master’s household. The story combines erotic domination with intrigue, secrecy, and fatal retribution.

An illustration portfolio presents women bound with rope in elaborate seated, reclining, standing, and outdoor tableaux, emphasizing stylized restraint, exposed vulnerability, and dramatic composition.

An illustrated erotic crime-and-captivity tale in which Shinwa and Ryōko’s relationship turns toward jealousy, coercion, restraint, and violent punishment beneath an ominous red moon.

This illustrated crime story follows the female pickpocket O-Chō from theft and capture through coercive interrogation, rope restraint, humiliation, and physical punishment by men in authority.

An illustrated underworld captivity narrative in which armed men seize and bind Miho, subjecting her to coercive restraint and escalating sexualized violence amid threats, betrayal, and criminal intrigue.

This illustrated period erotic thriller follows O-Rin and Say o in a decaying storehouse, where women are bound to pillars, threatened with punishment, exposed to smoke, and caught in a shifting struggle among captors, tormentors, and rescuers.

The first installment surveys the history and methods of seppuku, combining historical examples, anatomical discussion, and illustrated scenes to emphasize the ritual’s extreme violence and suffering.

This reader commentary criticizes the irresponsible boom in SM-themed books, films, journalism, and other media, arguing that sensationalized or fabricated representations distort the subject and exploit public interest.

Andō Izumi reviews and analyzes Yumihiko Nakahara’s literary work 虚栄の市 (The Vanity Fair), examining its puppet-theater-like characters, satire of postwar urban society, and recurring contrasts between sadistic and masochistic dispositions. The criticism also considers the work’s theatrical and cinematic qualities, its treatment of social status, sexuality, and cultural fashion, and the author’s literary technique.

This historical erotic tale follows Suzuki, a young woman drawn into a feudal household where an older woman and male authorities manipulate, expose, and sexually humiliate her through coercive commands and staged encounters.

Shibayama Sadatoshi praises the serialized SM story “Panorama Island Secret Story” and offers detailed requests for its continuation, especially a high-born heroine who resists Q’s sadistic domination before eventually yielding. The suggestions emphasize psychological portrayal, shame, enforced silence and masks, captivity and escape, lingerie rather than nudity, supporting characters, illustrations, and a coherent long-form plot.

Episode 15 of a serialized erotic crime mystery follows police and academic investigators probing a bizarre case involving an imperiled woman, secret experiments, coercive encounters, and medical apparatus, accompanied by dramatic restraint-oriented illustrations.

The reader corner presents correspondence and feedback from readers, while the editorial afterword discusses submissions, editorial priorities, upcoming features, and future issue plans.

A crime-adventure erotic fiction follows gang leader Teresa and her pursuers across a desert, involving capture, armed reversals, forced marches, bondage, and deadly violence beneath the threat of condors.

A photographic portfolio presents a kimono-clad female model repeatedly bound with rope in staged kneeling, prone, and dog-like poses, emphasizing elaborate restraint and controlled body positioning.

A photographic collection of screen climaxes presents staged film scenes centered on women subjected to bondage, captivity, restraint, and theatrical sadomasochistic tableaux.

A portfolio of Osamu Fujisawa’s photographs depicts a woman in varied bound and restricted positions, combining intimate indoor studies with more elaborate staged compositions.

A photographic portfolio by Inojima Masaya presenting women in elaborate rope-bound poses, including seated, kneeling, and tightly restrained positions.

A collection of newly imported American bondage photographs depicting women posed in rope restraints, staged tableaux, and elaborate scenes of immobilization.

A staged photographic sequence set around the theme of a secluded sand-dune chamber, showing a woman bound with rope in varied indoor poses and settings.

Eda Kiriko offers an extended, skeptical reading of Yumiko Kurahashi’s novel “My Heart Belongs to Papa,” outlining its family and romantic entanglements while questioning its treatment of incestuous desire, erotic psychology, realism, and literary value.